The contemporary Arab poets have used the motif of women in their works to convey a variety of messages. Indeed, in many poetical works, the woman has played the role of an objective formula through which the modern Arab poet conveyed his idea, as if the woman were a mask. In fact, the woman is shown as a wide-ranging icon that helps the poet attain great ambitions and change the world around him. This image of the woman is influenced by the female character as depicted by medieval Sufi writers who regarded the woman as one of the major foundations of their writing. Consequently, they would select their female characters, give them glamorous names, and make them target of their writings. The content of the Sufi practices centered on love and craving. They considered that created woman their earthly mistress who aided them to reach their supreme lover, God. These Sufi rituals have profoundly impacted modern-day Arab poets. For purposes of focus, our work will discuss the echo of women in two poetical works of Abdul Wahāb al-Bayyātī. We seek to examine why this poet who is believed to represent modern writers, is magnetized to the Sufi image of woman. We assume that the Sufi treatment of women in modern Arabic poetry offers new insights into the dynamic potential of the motif and suggests a new critical approach.
| Published in |
International Journal of Literature and Arts (Volume 10, Issue 1)
This article belongs to the Special Issue The Woman as a Sufi Motif in Modern Arabic Poetry |
| DOI | 10.11648/j.ijla.20221001.16 |
| Page(s) | 44-50 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2024. Published by Science Publishing Group |
Woman as a Şūfī Motif, Modern Arabic Poetry, Abdul Wahāb al-Bayyātī, Rūmī and Iben-`Arabī
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APA Style
Jamal Assadi. (2022). The Manifestation of Woman as a Şūfī Motif in Modern Arabic Poetry: Abdul Wahāb al-Bayyātī as an Example. International Journal of Literature and Arts, 10(1), 44-50. https://doi.org/10.11648/j.ijla.20221001.16
ACS Style
Jamal Assadi. The Manifestation of Woman as a Şūfī Motif in Modern Arabic Poetry: Abdul Wahāb al-Bayyātī as an Example. Int. J. Lit. Arts 2022, 10(1), 44-50. doi: 10.11648/j.ijla.20221001.16
AMA Style
Jamal Assadi. The Manifestation of Woman as a Şūfī Motif in Modern Arabic Poetry: Abdul Wahāb al-Bayyātī as an Example. Int J Lit Arts. 2022;10(1):44-50. doi: 10.11648/j.ijla.20221001.16
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Download@article{10.11648/j.ijla.20221001.16,
author = {Jamal Assadi},
title = {The Manifestation of Woman as a Şūfī Motif in Modern Arabic Poetry: Abdul Wahāb al-Bayyātī as an Example},
journal = {International Journal of Literature and Arts},
volume = {10},
number = {1},
pages = {44-50},
doi = {10.11648/j.ijla.20221001.16},
url = {https://doi.org/10.11648/j.ijla.20221001.16},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20221001.16},
abstract = {The contemporary Arab poets have used the motif of women in their works to convey a variety of messages. Indeed, in many poetical works, the woman has played the role of an objective formula through which the modern Arab poet conveyed his idea, as if the woman were a mask. In fact, the woman is shown as a wide-ranging icon that helps the poet attain great ambitions and change the world around him. This image of the woman is influenced by the female character as depicted by medieval Sufi writers who regarded the woman as one of the major foundations of their writing. Consequently, they would select their female characters, give them glamorous names, and make them target of their writings. The content of the Sufi practices centered on love and craving. They considered that created woman their earthly mistress who aided them to reach their supreme lover, God. These Sufi rituals have profoundly impacted modern-day Arab poets. For purposes of focus, our work will discuss the echo of women in two poetical works of Abdul Wahāb al-Bayyātī. We seek to examine why this poet who is believed to represent modern writers, is magnetized to the Sufi image of woman. We assume that the Sufi treatment of women in modern Arabic poetry offers new insights into the dynamic potential of the motif and suggests a new critical approach.},
year = {2022}
}
TY - JOUR T1 - The Manifestation of Woman as a Şūfī Motif in Modern Arabic Poetry: Abdul Wahāb al-Bayyātī as an Example AU - Jamal Assadi Y1 - 2022/01/26 PY - 2022 N1 - https://doi.org/10.11648/j.ijla.20221001.16 DO - 10.11648/j.ijla.20221001.16 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 44 EP - 50 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.20221001.16 AB - The contemporary Arab poets have used the motif of women in their works to convey a variety of messages. Indeed, in many poetical works, the woman has played the role of an objective formula through which the modern Arab poet conveyed his idea, as if the woman were a mask. In fact, the woman is shown as a wide-ranging icon that helps the poet attain great ambitions and change the world around him. This image of the woman is influenced by the female character as depicted by medieval Sufi writers who regarded the woman as one of the major foundations of their writing. Consequently, they would select their female characters, give them glamorous names, and make them target of their writings. The content of the Sufi practices centered on love and craving. They considered that created woman their earthly mistress who aided them to reach their supreme lover, God. These Sufi rituals have profoundly impacted modern-day Arab poets. For purposes of focus, our work will discuss the echo of women in two poetical works of Abdul Wahāb al-Bayyātī. We seek to examine why this poet who is believed to represent modern writers, is magnetized to the Sufi image of woman. We assume that the Sufi treatment of women in modern Arabic poetry offers new insights into the dynamic potential of the motif and suggests a new critical approach. VL - 10 IS - 1 ER -
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