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Proposed Roads to Salvation: Narrative Analysis of The Painted Veil

Received: 8 September 2022    Accepted: 4 October 2022    Published: 18 October 2022
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Abstract

The Painted Veil is a novel written by the famous British writer, William Somerset Maugham. It depicts the love tragedy of the couple, Kitty Garstin and her husband Walter Fane, which shows the themes of love and betrayal, plague and salvation and explores how Kitty struggled on the road to salvation. This paper firstly traced back to the source of her salvation, the human emotional instinct, which led to Kitty’s betrayal of marriage and Walter’s punishment. In order to revenge, Walter took Kitty to Mei-tan-fu, where the people were in the face of the outbreak of a terrible plague, cholera, which naturally resulted in Kitty’s death perception in a foreign land. Under the awful death threat from the plague in a strange place, Kitty was deep in thought. Especially after she worked in the monastery, she constantly reflected on herself and found she had reformed and broken the shackles of her original feelings influenced by her driving force from the the death crisis of the plague and the nuns’ positive attitude and efforts towards the plague. By tracing back to the source of her salvation, death perception and her salvation from the plague, the author carried out narrative analysis of Kitty’s thoughts in exotic locations in the “other” mode of thinking, aiming at criticizing the utilitarianism and worldliness in western modern concepts.

Published in International Journal of Literature and Arts (Volume 10, Issue 5)
DOI 10.11648/j.ijla.20221005.14
Page(s) 292-297
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Emotional Instinct, Death Perception, Salvation from Plague, Utilitarianism

References
[1] Booz, Elisabeth. A Brief Introduction to Modern English Literature 1914-1980. Shanghai: Shanghai Foreign Languages Education Press, 1984: 78.
[2] Sean, O’Connor. Straight Acting-- Popular Gay Drama from Wilde to Rattigan. London: Cassell Press, 1998: 62.
[3] Anthony, Curtis & John, Whitehead (eds). Maugham, the Critical Heritage. London: Rontedge and Kegan Paul Ltd. 1987: 251.
[4] Huang Lijuan. Transnational Modernism in Somerset Maugham’s The Painted Veil. Foreign Languages and Literature, 2022, 38 (4): 40-47.
[5] Thomas, Votteler (ed). Short Story Criticism, Vol (8). Detroit: Gale Research Inc, 1991: 364.
[6] Zhang Dingquan (ed). A New Concise History of English Literature. Shanghai: Shanghai Foreign Languages Education Press, 2002: 406.
[7] Lv Jin. Unveil the Painted Veil. Long Vovels, 2000, (16): 6.
[8] Yang Qianqian. Unveil Maugham’s “The Painted Veil”-Analysis of Orientalism in The Painted Veil. Studies in Languages and Culture, 2010 (09): 226-228.
[9] Yu Chang. Maugham and Orientalism-China in Maugham’s Eyes. Journal of Anhui University of Science and Technology (Social Science), 2016, 18 (01): 83-87.
[10] Liu Muwen. Personalized Characteristics of Image of China in Maugham’s Novels: Focus Mainly on Of Human Bondage and The Painted Veil. Shanghai International Studies University, 2021.
[11] Jiao, Yuliang. Analysis of the Theme and Chinese People’s Image in Maugham’s The Painted Veil. Leather in the West Lands, 2016 (10): 236.
[12] Martin, Seymour Smith. Guide to Modern World Literature. London: Macmillan Press Ltd, 1985: 225.
[13] Joseph, Warren Beach. English Literature of the 19th and the Early 20th Centuries. New York: The Gowell--Collier Publishing Company, 1987: 14.
[14] Maugham, William Somerset. The Painted Veil. Nanjing: Yilin Press, 2020: 32, 38, 38, 37, 92, 104-105, 184, 172, 133, 140, 141, 202.
[15] Tang Furong. Free From the Shackle of From-On the Self-salvation Road in The Painted Veil. Legend, 2011 (02), 57-58+62.
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  • APA Style

    Yan Jun. (2022). Proposed Roads to Salvation: Narrative Analysis of The Painted Veil. International Journal of Literature and Arts, 10(5), 292-297. https://doi.org/10.11648/j.ijla.20221005.14

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    ACS Style

    Yan Jun. Proposed Roads to Salvation: Narrative Analysis of The Painted Veil. Int. J. Lit. Arts 2022, 10(5), 292-297. doi: 10.11648/j.ijla.20221005.14

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    AMA Style

    Yan Jun. Proposed Roads to Salvation: Narrative Analysis of The Painted Veil. Int J Lit Arts. 2022;10(5):292-297. doi: 10.11648/j.ijla.20221005.14

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  • @article{10.11648/j.ijla.20221005.14,
      author = {Yan Jun},
      title = {Proposed Roads to Salvation: Narrative Analysis of The Painted Veil},
      journal = {International Journal of Literature and Arts},
      volume = {10},
      number = {5},
      pages = {292-297},
      doi = {10.11648/j.ijla.20221005.14},
      url = {https://doi.org/10.11648/j.ijla.20221005.14},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20221005.14},
      abstract = {The Painted Veil is a novel written by the famous British writer, William Somerset Maugham. It depicts the love tragedy of the couple, Kitty Garstin and her husband Walter Fane, which shows the themes of love and betrayal, plague and salvation and explores how Kitty struggled on the road to salvation. This paper firstly traced back to the source of her salvation, the human emotional instinct, which led to Kitty’s betrayal of marriage and Walter’s punishment. In order to revenge, Walter took Kitty to Mei-tan-fu, where the people were in the face of the outbreak of a terrible plague, cholera, which naturally resulted in Kitty’s death perception in a foreign land. Under the awful death threat from the plague in a strange place, Kitty was deep in thought. Especially after she worked in the monastery, she constantly reflected on herself and found she had reformed and broken the shackles of her original feelings influenced by her driving force from the the death crisis of the plague and the nuns’ positive attitude and efforts towards the plague. By tracing back to the source of her salvation, death perception and her salvation from the plague, the author carried out narrative analysis of Kitty’s thoughts in exotic locations in the “other” mode of thinking, aiming at criticizing the utilitarianism and worldliness in western modern concepts.},
     year = {2022}
    }
    

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    AB  - The Painted Veil is a novel written by the famous British writer, William Somerset Maugham. It depicts the love tragedy of the couple, Kitty Garstin and her husband Walter Fane, which shows the themes of love and betrayal, plague and salvation and explores how Kitty struggled on the road to salvation. This paper firstly traced back to the source of her salvation, the human emotional instinct, which led to Kitty’s betrayal of marriage and Walter’s punishment. In order to revenge, Walter took Kitty to Mei-tan-fu, where the people were in the face of the outbreak of a terrible plague, cholera, which naturally resulted in Kitty’s death perception in a foreign land. Under the awful death threat from the plague in a strange place, Kitty was deep in thought. Especially after she worked in the monastery, she constantly reflected on herself and found she had reformed and broken the shackles of her original feelings influenced by her driving force from the the death crisis of the plague and the nuns’ positive attitude and efforts towards the plague. By tracing back to the source of her salvation, death perception and her salvation from the plague, the author carried out narrative analysis of Kitty’s thoughts in exotic locations in the “other” mode of thinking, aiming at criticizing the utilitarianism and worldliness in western modern concepts.
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Author Information
  • School of Foreign Languages, Yancheng Teachers’ University, Yancheng, China

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