Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in <i>Shinchoonshi</i>

Lee Soo-Kyung

doi:doi:10.11648/j.ijla.20221006.14

| Peer-Reviewed

Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi

Lee Soo-Kyung

Published in International Journal of Literature and Arts (Volume 10, Issue 6)

Received: 22 October 2022 Accepted: 18 November 2022 Published: 15 December 2022

Views: Downloads:

Download PDF

Share This Article

Twitter
Linked In
Facebook

Abstract

Shinchoonshi is the longest-maintained Coterie in the 60s. Moreover, it is the Coterie founded by poets who debuted through writing contests, Shinchunmoonye by newspapers, and it reflected the vivid flow and change of the literacy geography of Korea in the 60s. Most of all, the Coterie is the evidence of the Hangeul Generation's emergence and the concealed utterance of Hangeul Consciousness visualized on it. The compilation of Shinchoonshi 13th transformed into horizontal writing and the exclusive use of Hangeul. Shin Se-Hun, the new editor and Hangeul Generation, led the Coterie under the critical acceptance of the national policy of the exclusive use of Hangeul. It is pragmatism. Just as the invention of Hangeul aimed to solve the difficulties arising from the difference between sounds and letters and to share knowledge based on Hangeul, Shinchoonshi also chose to experience the aesthetics through Hangeul. Finally, this study contradicts the research so far that Hangeul Consciousness germinated only in the literacy magazine, Ppurigipeunnamu (뿌리깊은나무) in 1976. In addition, the strategic choice of horizontal writing and the exclusive use of Hangeul was the symbolic change of the zeitgeist in the 60s literacy, confirming that Shinchoonshi was seeking a new literary subject against the current literacy cycles.

Published in	International Journal of Literature and Arts (Volume 10, Issue 6)
DOI	10.11648/j.ijla.20221006.14
Page(s)	360-367
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Shinchoonshi, The Exclusive Use of Hangeul, Hangeul Consciousness, Pragmatism, Horizontal Writing, Zeitgeist, Hangeul Generation

References

[1]	Lee, Soo-Kyung. (2022). Exploring ShinChoonshi through the bibliographic study 1-focusing on Coterie compilation and Hanguel Consciousness, The Studies of Korean Literature, 73, 253-319.
[2]	Hong, Hyun-Bo. (2018). The Creation Record of Hunminjeongeum in Writings such as Annals of the Joseon Dynasty. Academic Lecture to Commemorate the 600th Anniversary of King Sejong's Enthronement, “Hunminjeongeum, Who made it and how?” 77-212.
[3]	Chinese character commentary explained Hunminjeongeum (訓民正音). Plenipotentiary 33: 1. Woodcut. National Treasure No. 70. Director of the Gansong Museum of Art. Encyclopedia of Korean National Culture (2022. 10. 11). http://encykorea.aks.ac.kr/Contents/SearchNavi?keyword=%ED%9B%88%EB%AF%BC%EC%A0%95%EC%9D%8C&ridx=1&tot=135#modal)
[4]	Kim, Seul-Ong. (2014). Organizing Principle of the Characteristics and Content of Hangeul Crane. Korean Linguistics, 64, 35-58; Jung, Kwang. (2022). The phonetic enactment of the northern Chinese people and the Hunminjeongeum-Centered on the background of the enactment of Hangul-. The Study Of Korean Historical Linguistics, 8, 145-232.
[5]	Cho, Jae-Young. (2017). Sinchunmunye System and the Study of the Poems, Purple.
[6]	Park, Dae-Hyun. (2017). The Poets of the Obscure Republic-Focused on the ‘1965 Resime’ and Literary Struggle. Korean Study, 34, 263-301; Lee, Soo-Kyung. (2020). Sprouted Self-Identity, the Poems of Park, Jung-Man on the Shinchoonshi Coterie, The Korean Poetics Studies, 62, 165-211.
[7]	“graffiti,” (April 1963). ShinChoonShi, 1.
[8]	Park, I-Do. (2002). “Coterie ShinChoonShi and The Passion of Youth.” Mundanyusa (文壇有史). The Korean Writers Association.
[9]	Yu, Chang-Min. (2018). A Study on the Generation Consciousness of Shinchunsi Coterie in the 1960s. The study of Korean National Language and Literature, 61, 187 – 210.; Lee, Soo-Kyung. (2020). Sprouted Self-Identity, the Poems of Park, Jung-Man on the shinchunshi coterie. The Korean Poetics Studies, 62, 165-211.
[10]	Kim, Seul-Ong. (2007). The Multiple Discourse on the Background, Motivation, and Purpose of creating Hunminjeongeum was made by Sejong. The Sociolinguistics Journal of Korea, 15 (1), 21-45.
[11]	Jung, Jin-Seok. (2014). The History of Korean Magazines. Communicationbooks.; Han, Bo-Sung (2017). The Democratization of Knowledge, Apparace. The Study of Bangyo Language and Literature, 46, 213-240.
[12]	www.archives.go.kr, 1958, BA0154924, Oct 16, 2022. http://theme.archives.go.kr/viewer/common/archWebViewer.do?bsid=200300948594&dsid=000000000015&gubun=search
[13]	Kim, Yeong-Hwan., Kim, Seul-Ong. (2009). U.S. Military Affairs Department and Lee, Seung-Man's Government's Korean Alphabet Policy―Focusing on the Exclusive Use of the Hangul policy. Narasarang, 115, 5-38.; Kim, Yeong-Hawn. (2012). Criticism on the origin and principle of the Korean alphabet. The Korean Language and Culture, 47, 171-189.
[14]	“The Exclusive Use of Hangeul is Unconstitutional.” (1968. 3. 19). Dongailbo. https://newslibrary.naver.com/viewer/index.naver?articleId=1968031900209207030&editNo=2&printCount=1&publishDate=1968-03-19&officeId=00020&pageNo=7&printNo=14285&publishType=00020
[15]	Ko, San, Cho., Hyun-Shin. (2019). An Analysis on the Policy and Evidence of Hangul Horizontal Writing in Choi, Hyun-Bae's The Evolution of Letter. Symposium of the Social Innovation by Design, 40-45.
[16]	Shinchoonshi wrote down the motivation for its founding on “graffiti.” Its meanings are below: 1) writing anywhere as a joke 2) when copying a text, misspelling or omitting. Graffiti was a symbolic word that Shinchunshi did not utter and implemented its aims through editorial intent or work strategically.
[17]	Kim, Hyun-Seung. (1969. 6. 19). “Poetry Review of June,” Dongailbo.https://newslibrary.naver.com/viewer/index.naver?articleId=1969061900209205004&editNo=2&printCount=1&publishDate=1969-06-19&officeId=00020&pageNo=5&printNo=14673&publishType=00020
[18]	Kang, In-Sup. (1969. 6. 5), “Writing poems with earning bread for livings,” Dongailbo. https://newslibrary.naver.com/viewer/index.naver?articleId=1969060500209205003&editNo=2&printCount=1&publishDate=1969-06-05&officeId=00020&pageNo=5&printNo=14661&publishType=00020
[19]	Lee, Ga-Lam. (1969. May), “Poems of Barbaric Anger, Cho Tae-il, or the Vindication of Innocence, Shinchoonshi Poems,” Shinchoonshi, 17.
[20]	Park, Doo-Jin. (1969. 12. 27). “Poems of December,” Dongailbo, https://newslibrary.naver.com/viewer/index.naver?publishDate=1969-12-27&officeId=00020&pageNo=1

Cite This Article

Plain Text BibTeX RIS

APA Style

Lee Soo-Kyung. (2022). Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi. International Journal of Literature and Arts, 10(6), 360-367. https://doi.org/10.11648/j.ijla.20221006.14

Copy | Download

ACS Style

Lee Soo-Kyung. Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi. Int. J. Lit. Arts 2022, 10(6), 360-367. doi: 10.11648/j.ijla.20221006.14

Copy | Download

AMA Style

Lee Soo-Kyung. Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi. Int J Lit Arts. 2022;10(6):360-367. doi: 10.11648/j.ijla.20221006.14

Copy | Download

@article{10.11648/j.ijla.20221006.14,
  author = {Lee Soo-Kyung},
  title = {Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi},
  journal = {International Journal of Literature and Arts},
  volume = {10},
  number = {6},
  pages = {360-367},
  doi = {10.11648/j.ijla.20221006.14},
  url = {https://doi.org/10.11648/j.ijla.20221006.14},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20221006.14},
  abstract = {Shinchoonshi is the longest-maintained Coterie in the 60s. Moreover, it is the Coterie founded by poets who debuted through writing contests, Shinchunmoonye by newspapers, and it reflected the vivid flow and change of the literacy geography of Korea in the 60s. Most of all, the Coterie is the evidence of the Hangeul Generation's emergence and the concealed utterance of Hangeul Consciousness visualized on it. The compilation of Shinchoonshi 13th transformed into horizontal writing and the exclusive use of Hangeul. Shin Se-Hun, the new editor and Hangeul Generation, led the Coterie under the critical acceptance of the national policy of the exclusive use of Hangeul. It is pragmatism. Just as the invention of Hangeul aimed to solve the difficulties arising from the difference between sounds and letters and to share knowledge based on Hangeul, Shinchoonshi also chose to experience the aesthetics through Hangeul. Finally, this study contradicts the research so far that Hangeul Consciousness germinated only in the literacy magazine, Ppurigipeunnamu (뿌리깊은나무) in 1976. In addition, the strategic choice of horizontal writing and the exclusive use of Hangeul was the symbolic change of the zeitgeist in the 60s literacy, confirming that Shinchoonshi was seeking a new literary subject against the current literacy cycles.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi
AU  - Lee Soo-Kyung
Y1  - 2022/12/15
PY  - 2022
N1  - https://doi.org/10.11648/j.ijla.20221006.14
DO  - 10.11648/j.ijla.20221006.14
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 360
EP  - 367
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20221006.14
AB  - Shinchoonshi is the longest-maintained Coterie in the 60s. Moreover, it is the Coterie founded by poets who debuted through writing contests, Shinchunmoonye by newspapers, and it reflected the vivid flow and change of the literacy geography of Korea in the 60s. Most of all, the Coterie is the evidence of the Hangeul Generation's emergence and the concealed utterance of Hangeul Consciousness visualized on it. The compilation of Shinchoonshi 13th transformed into horizontal writing and the exclusive use of Hangeul. Shin Se-Hun, the new editor and Hangeul Generation, led the Coterie under the critical acceptance of the national policy of the exclusive use of Hangeul. It is pragmatism. Just as the invention of Hangeul aimed to solve the difficulties arising from the difference between sounds and letters and to share knowledge based on Hangeul, Shinchoonshi also chose to experience the aesthetics through Hangeul. Finally, this study contradicts the research so far that Hangeul Consciousness germinated only in the literacy magazine, Ppurigipeunnamu (뿌리깊은나무) in 1976. In addition, the strategic choice of horizontal writing and the exclusive use of Hangeul was the symbolic change of the zeitgeist in the 60s literacy, confirming that Shinchoonshi was seeking a new literary subject against the current literacy cycles.
VL  - 10
IS  - 6
ER  -

Copy | Download

Author Information

Lee Soo-Kyung

Korean Language and Literature, Kangnam University, Yongin-Si, South Korea

Download PDF

Sections

Plain Text BibTeX RIS

APA Style

Lee Soo-Kyung. (2022). Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi. International Journal of Literature and Arts, 10(6), 360-367. https://doi.org/10.11648/j.ijla.20221006.14

Copy | Download

ACS Style

Lee Soo-Kyung. Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi. Int. J. Lit. Arts 2022, 10(6), 360-367. doi: 10.11648/j.ijla.20221006.14

Copy | Download

AMA Style

Lee Soo-Kyung. Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi. Int J Lit Arts. 2022;10(6):360-367. doi: 10.11648/j.ijla.20221006.14

Copy | Download

@article{10.11648/j.ijla.20221006.14,
  author = {Lee Soo-Kyung},
  title = {Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi},
  journal = {International Journal of Literature and Arts},
  volume = {10},
  number = {6},
  pages = {360-367},
  doi = {10.11648/j.ijla.20221006.14},
  url = {https://doi.org/10.11648/j.ijla.20221006.14},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20221006.14},
  abstract = {Shinchoonshi is the longest-maintained Coterie in the 60s. Moreover, it is the Coterie founded by poets who debuted through writing contests, Shinchunmoonye by newspapers, and it reflected the vivid flow and change of the literacy geography of Korea in the 60s. Most of all, the Coterie is the evidence of the Hangeul Generation's emergence and the concealed utterance of Hangeul Consciousness visualized on it. The compilation of Shinchoonshi 13th transformed into horizontal writing and the exclusive use of Hangeul. Shin Se-Hun, the new editor and Hangeul Generation, led the Coterie under the critical acceptance of the national policy of the exclusive use of Hangeul. It is pragmatism. Just as the invention of Hangeul aimed to solve the difficulties arising from the difference between sounds and letters and to share knowledge based on Hangeul, Shinchoonshi also chose to experience the aesthetics through Hangeul. Finally, this study contradicts the research so far that Hangeul Consciousness germinated only in the literacy magazine, Ppurigipeunnamu (뿌리깊은나무) in 1976. In addition, the strategic choice of horizontal writing and the exclusive use of Hangeul was the symbolic change of the zeitgeist in the 60s literacy, confirming that Shinchoonshi was seeking a new literary subject against the current literacy cycles.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - Sharing of Knowledge: The Pragmatism of Hangeul Creation as Concealed in Shinchoonshi
AU  - Lee Soo-Kyung
Y1  - 2022/12/15
PY  - 2022
N1  - https://doi.org/10.11648/j.ijla.20221006.14
DO  - 10.11648/j.ijla.20221006.14
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 360
EP  - 367
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20221006.14
AB  - Shinchoonshi is the longest-maintained Coterie in the 60s. Moreover, it is the Coterie founded by poets who debuted through writing contests, Shinchunmoonye by newspapers, and it reflected the vivid flow and change of the literacy geography of Korea in the 60s. Most of all, the Coterie is the evidence of the Hangeul Generation's emergence and the concealed utterance of Hangeul Consciousness visualized on it. The compilation of Shinchoonshi 13th transformed into horizontal writing and the exclusive use of Hangeul. Shin Se-Hun, the new editor and Hangeul Generation, led the Coterie under the critical acceptance of the national policy of the exclusive use of Hangeul. It is pragmatism. Just as the invention of Hangeul aimed to solve the difficulties arising from the difference between sounds and letters and to share knowledge based on Hangeul, Shinchoonshi also chose to experience the aesthetics through Hangeul. Finally, this study contradicts the research so far that Hangeul Consciousness germinated only in the literacy magazine, Ppurigipeunnamu (뿌리깊은나무) in 1976. In addition, the strategic choice of horizontal writing and the exclusive use of Hangeul was the symbolic change of the zeitgeist in the 60s literacy, confirming that Shinchoonshi was seeking a new literary subject against the current literacy cycles.
VL  - 10
IS  - 6
ER  -

Copy | Download