Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models

Benalloua Kheira

doi:doi:10.11648/j.ijla.20231104.16

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Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models

Benalloua Kheira

Published in International Journal of Literature and Arts (Volume 11, Issue 4)

Received: 30 November 2022 Accepted: 30 December 2022 Published: 22 August 2023

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Abstract

This papers are about the discourse in the theory of literature and its criticism, which is still difficult to deal with due to what is authored each time in various creative fields, whether about the famous literary genders: poetry and prose, or at the level of the newly created genres that is branched out from the aforementioned genders (Story; Oratery; Theatr; Novel...); so we reveal each time shortcomings in the successive critical visions and theories (theorie of Purity; Transit; Overlap; Intertextuality...) in their studies to these new genres. This makes it imperative for researchers to reconsider the literary and monetary data together, in order to justify the transformation of origins and branches, while trying to accept the new mutations that appear in the history of creations in all kinds, in terms of the diversity of the language used, forms and contents which clearly manifested in the Novel as a literary genre; it is one of the most authored literary genres, and the most discussed by critics, it is often the subject of controversy among them; about what it is specificly, in terms of it being a new (fashion), taken by authors as a means of “fame” often showcasing intellectual and linguistic potential; This is what made critics think about the forefront of this genre and its leadership compared to other literary genres. Rather, its amazing ability to absorb the different gender models (as Poetry; Oratery; proverbs...) in a gelatinous way, makes it maintain the basic pillars of its artistic construction without being affected by the models included in it; provided that the novelist is able to obsorb the different literaty models and successful in using even if the number of these genres is large, and their structure is complex; this is exactly what happened to some novelists such who succeded in making coherent novels by mixing many genres to enrich both language and contents as "Abd Almalik Mortad"; unlike "Dou Noun Ayoub" who failed in this issue.

Published in	International Journal of Literature and Arts (Volume 11, Issue 4)
DOI	10.11648/j.ijla.20231104.16
Page(s)	201-207
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Literary Genre, Novel, Purity, Overlap, Intertextuality, Fragmentation, Transit

References

[1]	Look, Rashid Yahyaoui (1994): Introduction to Genre Theory. East Africa, Casablanca - Morocco, ed 2, p. 19.
[2]	Look; Izz al-Din al-Manasra (2006): Comparative Intertextuality. Majdalawi House for Publishing and Distribution, Amman. Jordan, ed 1, p. 72.
[3]	Look; Ateeq, Omar Abdel-Hadi: The overlap of literary genres in the novel (Acre and the Kings) by the novelist Ahmed Rafeeq Awad, Twelfth International Monetary Conference. 1034/01.
[4]	Nadia Hanawy (2021): “Genders of Literature from Overlapping to Transit.” Al-Dustour newspaper (electronic), date Publication: April 23, 1:00 am; Website: addustour.com/articles
[5]	Wafaa Ibrahim Yusuf Ziyadi: Literary Genres in the Book of Leg on Leg in What is a Separation. p. 50. Quoting On the authority of: Ateeq, Omar Abdel-Hadi: The overlap of literary genres in the novel (Acre and the Kings) 1034/01.
[6]	Looks, Rashid Yahyaoui: An Introduction to the Theory of Literary Genres. p 24.
[7]	Najat Sadiq Al-Jashami (2017): Fragmentation and Overlapping of Literary Genres in the Arabic Novel - Al- Sayed Hafez A paradigm -. Center for the Arab world "Vision" for publication, Cairo, p1, p. 114. 117.
[8]	Look; Hanan Mustafa Ahmed Ali (2006): Artistic Techniques in the Modern Egyptian Novel: Since 1973 to the end of the twentieth century. Dar Al Uloom College, Cairo University, p 207. On the authority of: Najat Sadiq Al-Jashami: Fragmentation And the overlapping of literary genres in the Arabic novel. p 124.
[9]	Batool Qasim Nasser (2014): “The Overlapping of Literary Genres in (Al-Maqasah) / Abu Hurairah and Kukja - a Model.” Al-Hiwar Al-Motaddin website, the axis of literature and art, date of publication: 01/29/AD; www.alhewar.org
[10]	Nadia Henawi: "The Genres of Literature from Overlapping to Transit". website: addustour.com/articles.
[11]	Najat Sadiq Al-Jashami: Fragmentation and Overlapping of Literary Genres in the Arabic Novel. p 122.
[12]	look; Najat Sadiq Al-Jashami: Fragmentation and Overlapping of Literary Genres in the Arabic Novel, p 453, seq. (p 460).
[13]	Najat Sadiq Al-Jashami: Fragmentation and Overlapping of Literary Genres in the Arabic Novel, p. 147.
[14]	Nadia Henawi (2019): “Literary Naturalization from Overlapping to Transiting.” Al-Quds Al-Arabi newspaper (electronic), date of publication: Oct 29; Website: alquds.co.uk
[15]	Nadia Henawi: "Literary Naturalization: From Overlapping to Transit". Al-Quds Al-Arabi newspaper (electronic).
[16]	Aourid Abboud (2015): “The Overlapping of Literary Genres in the Algerian Novel and its Multilingualism.” language magazine, literary Intellectual Semi-Annual Referee, Language Foundation, India, Book Six, p2, date of publication: 10/07/AD; allugah.com

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Benalloua Kheira. (2023). Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models. International Journal of Literature and Arts, 11(4), 201-207. https://doi.org/10.11648/j.ijla.20231104.16

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Benalloua Kheira. Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models. Int. J. Lit. Arts 2023, 11(4), 201-207. doi: 10.11648/j.ijla.20231104.16

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AMA Style

Benalloua Kheira. Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models. Int J Lit Arts. 2023;11(4):201-207. doi: 10.11648/j.ijla.20231104.16

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@article{10.11648/j.ijla.20231104.16,
  author = {Benalloua Kheira},
  title = {Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models},
  journal = {International Journal of Literature and Arts},
  volume = {11},
  number = {4},
  pages = {201-207},
  doi = {10.11648/j.ijla.20231104.16},
  url = {https://doi.org/10.11648/j.ijla.20231104.16},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20231104.16},
  abstract = {This papers are about the discourse in the theory of literature and its criticism, which is still difficult to deal with due to what is authored each time in various creative fields, whether about the famous literary genders: poetry and prose, or at the level of the newly created genres that is branched out from the aforementioned genders (Story; Oratery; Theatr; Novel...); so we reveal each time shortcomings in the successive critical visions and theories (theorie of Purity; Transit; Overlap; Intertextuality...) in their studies to these new genres. This makes it imperative for researchers to reconsider the literary and monetary data together, in order to justify the transformation of origins and branches, while trying to accept the new mutations that appear in the history of creations in all kinds, in terms of the diversity of the language used, forms and contents which clearly manifested in the Novel as a literary genre; it is one of the most authored literary genres, and the most discussed by critics, it is often the subject of controversy among them; about what it is specificly, in terms of it being a new (fashion), taken by authors as a means of “fame” often showcasing intellectual and linguistic potential; This is what made critics think about the forefront of this genre and its leadership compared to other literary genres. Rather, its amazing ability to absorb the different gender models (as Poetry; Oratery; proverbs...) in a gelatinous way, makes it maintain the basic pillars of its artistic construction without being affected by the models included in it; provided that the novelist is able to obsorb the different literaty models and successful in using even if the number of these genres is large, and their structure is complex; this is exactly what happened to some novelists such who succeded in making coherent novels by mixing many genres to enrich both language and contents as "Abd Almalik Mortad"; unlike "Dou Noun Ayoub" who failed in this issue.},
 year = {2023}
}

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TY  - JOUR
T1  - Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models
AU  - Benalloua Kheira
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PY  - 2023
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JO  - International Journal of Literature and Arts
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PB  - Science Publishing Group
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AB  - This papers are about the discourse in the theory of literature and its criticism, which is still difficult to deal with due to what is authored each time in various creative fields, whether about the famous literary genders: poetry and prose, or at the level of the newly created genres that is branched out from the aforementioned genders (Story; Oratery; Theatr; Novel...); so we reveal each time shortcomings in the successive critical visions and theories (theorie of Purity; Transit; Overlap; Intertextuality...) in their studies to these new genres. This makes it imperative for researchers to reconsider the literary and monetary data together, in order to justify the transformation of origins and branches, while trying to accept the new mutations that appear in the history of creations in all kinds, in terms of the diversity of the language used, forms and contents which clearly manifested in the Novel as a literary genre; it is one of the most authored literary genres, and the most discussed by critics, it is often the subject of controversy among them; about what it is specificly, in terms of it being a new (fashion), taken by authors as a means of “fame” often showcasing intellectual and linguistic potential; This is what made critics think about the forefront of this genre and its leadership compared to other literary genres. Rather, its amazing ability to absorb the different gender models (as Poetry; Oratery; proverbs...) in a gelatinous way, makes it maintain the basic pillars of its artistic construction without being affected by the models included in it; provided that the novelist is able to obsorb the different literaty models and successful in using even if the number of these genres is large, and their structure is complex; this is exactly what happened to some novelists such who succeded in making coherent novels by mixing many genres to enrich both language and contents as "Abd Almalik Mortad"; unlike "Dou Noun Ayoub" who failed in this issue.
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Author Information

Benalloua Kheira

Department of Arabic Language and Literature, Faculty of Literatures and Languages, Djilali Bonaama University, Ain Defla, Algeria

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APA Style

Benalloua Kheira. (2023). Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models. International Journal of Literature and Arts, 11(4), 201-207. https://doi.org/10.11648/j.ijla.20231104.16

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ACS Style

Benalloua Kheira. Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models. Int. J. Lit. Arts 2023, 11(4), 201-207. doi: 10.11648/j.ijla.20231104.16

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AMA Style

Benalloua Kheira. Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models. Int J Lit Arts. 2023;11(4):201-207. doi: 10.11648/j.ijla.20231104.16

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@article{10.11648/j.ijla.20231104.16,
  author = {Benalloua Kheira},
  title = {Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models},
  journal = {International Journal of Literature and Arts},
  volume = {11},
  number = {4},
  pages = {201-207},
  doi = {10.11648/j.ijla.20231104.16},
  url = {https://doi.org/10.11648/j.ijla.20231104.16},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20231104.16},
  abstract = {This papers are about the discourse in the theory of literature and its criticism, which is still difficult to deal with due to what is authored each time in various creative fields, whether about the famous literary genders: poetry and prose, or at the level of the newly created genres that is branched out from the aforementioned genders (Story; Oratery; Theatr; Novel...); so we reveal each time shortcomings in the successive critical visions and theories (theorie of Purity; Transit; Overlap; Intertextuality...) in their studies to these new genres. This makes it imperative for researchers to reconsider the literary and monetary data together, in order to justify the transformation of origins and branches, while trying to accept the new mutations that appear in the history of creations in all kinds, in terms of the diversity of the language used, forms and contents which clearly manifested in the Novel as a literary genre; it is one of the most authored literary genres, and the most discussed by critics, it is often the subject of controversy among them; about what it is specificly, in terms of it being a new (fashion), taken by authors as a means of “fame” often showcasing intellectual and linguistic potential; This is what made critics think about the forefront of this genre and its leadership compared to other literary genres. Rather, its amazing ability to absorb the different gender models (as Poetry; Oratery; proverbs...) in a gelatinous way, makes it maintain the basic pillars of its artistic construction without being affected by the models included in it; provided that the novelist is able to obsorb the different literaty models and successful in using even if the number of these genres is large, and their structure is complex; this is exactly what happened to some novelists such who succeded in making coherent novels by mixing many genres to enrich both language and contents as "Abd Almalik Mortad"; unlike "Dou Noun Ayoub" who failed in this issue.},
 year = {2023}
}

Copy | Download

TY  - JOUR
T1  - Literary Genders in the Narrative Text: Between Fashion and Chaos a Critical View of Some Creative Models
AU  - Benalloua Kheira
Y1  - 2023/08/22
PY  - 2023
N1  - https://doi.org/10.11648/j.ijla.20231104.16
DO  - 10.11648/j.ijla.20231104.16
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 201
EP  - 207
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20231104.16
AB  - This papers are about the discourse in the theory of literature and its criticism, which is still difficult to deal with due to what is authored each time in various creative fields, whether about the famous literary genders: poetry and prose, or at the level of the newly created genres that is branched out from the aforementioned genders (Story; Oratery; Theatr; Novel...); so we reveal each time shortcomings in the successive critical visions and theories (theorie of Purity; Transit; Overlap; Intertextuality...) in their studies to these new genres. This makes it imperative for researchers to reconsider the literary and monetary data together, in order to justify the transformation of origins and branches, while trying to accept the new mutations that appear in the history of creations in all kinds, in terms of the diversity of the language used, forms and contents which clearly manifested in the Novel as a literary genre; it is one of the most authored literary genres, and the most discussed by critics, it is often the subject of controversy among them; about what it is specificly, in terms of it being a new (fashion), taken by authors as a means of “fame” often showcasing intellectual and linguistic potential; This is what made critics think about the forefront of this genre and its leadership compared to other literary genres. Rather, its amazing ability to absorb the different gender models (as Poetry; Oratery; proverbs...) in a gelatinous way, makes it maintain the basic pillars of its artistic construction without being affected by the models included in it; provided that the novelist is able to obsorb the different literaty models and successful in using even if the number of these genres is large, and their structure is complex; this is exactly what happened to some novelists such who succeded in making coherent novels by mixing many genres to enrich both language and contents as "Abd Almalik Mortad"; unlike "Dou Noun Ayoub" who failed in this issue.
VL  - 11
IS  - 4
ER  -

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