Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee

Jingdong Zhong

doi:doi:10.11648/j.ijla.20160405.15

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Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee

Jingdong Zhong

Published in International Journal of Literature and Arts (Volume 4, Issue 5)

Received: 20 October 2016 Accepted: Published: 20 October 2016

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Abstract

This paper attempts to discuss the ways of examining visual and verbal representations of landscapes so as to strengthen the “self-knowledge” of adjusting the balance between human beings and nature. Through reading Derwent Water in literature and painting, the paper has a short study on the process of making a wonderful landscape, which is focused on the amphitheatre of the lakescape, Lodore and the scenery after sunset. The study confirms that the popularity of Derwent Water mainly lies in its terrific landscape concerned with an interwoven history of visual and verbal representations, the reading of which can lead to a deepening love and respect for our natural heritage and might also help to “see” the unseen human harms done to the landscape nowadays.

Published in	International Journal of Literature and Arts (Volume 4, Issue 5)
DOI	10.11648/j.ijla.20160405.15
Page(s)	84-89
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Derwent Water, Literature and Painting, Amphitheatre, Lodore, The Scenery After Sunset

References

[1]	M. Wainwright, “Photos by night illuminate Lake District light pollution,” Retrieved from https://www.theguardian.com/environment/2008/jul/14/energy.carbonfootprints
[2]	J. O’Donohue, The Four Elements: Reflections on Nature. London: Transworld Ireland, 2010, xiv, xvi.
[3]	S. Schama, Landscape and Memory. London: Fontana Press, 1996, pp. 7, 16-18.
[4]	D. Cosgrove and S. Daniels, Eds, The Iconography of Landscape. New York: Cambridge University Press, 1988, pp. 1.
[5]	W. Wordsworth, Guide to the Lakes, 1835. Retrieved from http://www.rc.umd.edu/editions/guide_lakes/editions.2015.guide_lakes.1835.html.
[6]	W. Gilpin, Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1772, on Several Parts of England: Particularly the Mountains, and Lakes of Cumberland, and Westmoreland. Volume 1. New York: Cambridge University Press, 2013[1786], pp. 177, 182–186, 191.
[7]	T. West, A Guide to the Lakes in Cumberland, Westmoreland, and Lancashire. By the Author of the Antiquities of Furness. The Tenth Edition. London: British Library, 1812, pp. 85–90, 112. 193–198.
[8]	G. Bott. Keswick–The Story of a Lake District Town. Carlisle: Cumbria County Library, 1994, pp. 39.
[9]	J. R. Murray, A Tour of the English Lakes: With Thomas Gray and Joseph Farington, R.A. London: Frances Lincoln, 2011, pp. 19, 28, 36, 38, 84, 90–94.
[10]	Thomas Smith (of Derby). “A View of Derwentwater etc. from Crow-Park,” Retrieved from http://webarchive.nationalarchives.gov.uk/+/http://www.gac.culture.gov.uk/search/Object.asp?object_key=21183
[11]	People of Cape Cod and Walden: The Reverend William Gilpin, Retrieved from http://www.kouroo.info/kouroo/thumbnails/G/WilliamGilpin.pdf.
[12]	Chiang Yee, The Silent Traveller in Lakeland. Edinburgh: Mercat Press Ltd, 2004[1937], pp. 34, 44, 47–48.
[13]	Webster’s Encyclopedic Unabridged Dictionary of the English Language. Avenel: Gramercy Books, 1996, pp. 50.
[14]	Oxford Advanced Learner’s Dictionary, 6th ed. Oxford: Oxford University Press, 2000, pp. 38.
[15]	J. Uglow, “A passion for painting in the Lake District,” Retrieved from https://www.theguardian.com/artanddesign/2011/may/14/paintings-lake-district-jenny-uglow
[16]	T. Cole, “Essay on American Scenery,” American Monthly Magazine, No. 1, 1936, pp. 1–12.

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Jingdong Zhong. (2016). Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee. International Journal of Literature and Arts, 4(5), 84-89. https://doi.org/10.11648/j.ijla.20160405.15

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Jingdong Zhong. Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee. Int. J. Lit. Arts 2016, 4(5), 84-89. doi: 10.11648/j.ijla.20160405.15

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Jingdong Zhong. Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee. Int J Lit Arts. 2016;4(5):84-89. doi: 10.11648/j.ijla.20160405.15

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@article{10.11648/j.ijla.20160405.15,
  author = {Jingdong Zhong},
  title = {Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee},
  journal = {International Journal of Literature and Arts},
  volume = {4},
  number = {5},
  pages = {84-89},
  doi = {10.11648/j.ijla.20160405.15},
  url = {https://doi.org/10.11648/j.ijla.20160405.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20160405.15},
  abstract = {This paper attempts to discuss the ways of examining visual and verbal representations of landscapes so as to strengthen the “self-knowledge” of adjusting the balance between human beings and nature. Through reading Derwent Water in literature and painting, the paper has a short study on the process of making a wonderful landscape, which is focused on the amphitheatre of the lakescape, Lodore and the scenery after sunset. The study confirms that the popularity of Derwent Water mainly lies in its terrific landscape concerned with an interwoven history of visual and verbal representations, the reading of which can lead to a deepening love and respect for our natural heritage and might also help to “see” the unseen human harms done to the landscape nowadays.},
 year = {2016}
}

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TY  - JOUR
T1  - Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee
AU  - Jingdong Zhong
Y1  - 2016/10/20
PY  - 2016
N1  - https://doi.org/10.11648/j.ijla.20160405.15
DO  - 10.11648/j.ijla.20160405.15
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 84
EP  - 89
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20160405.15
AB  - This paper attempts to discuss the ways of examining visual and verbal representations of landscapes so as to strengthen the “self-knowledge” of adjusting the balance between human beings and nature. Through reading Derwent Water in literature and painting, the paper has a short study on the process of making a wonderful landscape, which is focused on the amphitheatre of the lakescape, Lodore and the scenery after sunset. The study confirms that the popularity of Derwent Water mainly lies in its terrific landscape concerned with an interwoven history of visual and verbal representations, the reading of which can lead to a deepening love and respect for our natural heritage and might also help to “see” the unseen human harms done to the landscape nowadays.
VL  - 4
IS  - 5
ER  -

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Author Information

Jingdong Zhong

English Faculty, Zhejiang Yuexiu University of Foreign Languages, Shaoxing, China

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Jingdong Zhong. (2016). Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee. International Journal of Literature and Arts, 4(5), 84-89. https://doi.org/10.11648/j.ijla.20160405.15

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ACS Style

Jingdong Zhong. Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee. Int. J. Lit. Arts 2016, 4(5), 84-89. doi: 10.11648/j.ijla.20160405.15

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AMA Style

Jingdong Zhong. Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee. Int J Lit Arts. 2016;4(5):84-89. doi: 10.11648/j.ijla.20160405.15

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@article{10.11648/j.ijla.20160405.15,
  author = {Jingdong Zhong},
  title = {Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee},
  journal = {International Journal of Literature and Arts},
  volume = {4},
  number = {5},
  pages = {84-89},
  doi = {10.11648/j.ijla.20160405.15},
  url = {https://doi.org/10.11648/j.ijla.20160405.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20160405.15},
  abstract = {This paper attempts to discuss the ways of examining visual and verbal representations of landscapes so as to strengthen the “self-knowledge” of adjusting the balance between human beings and nature. Through reading Derwent Water in literature and painting, the paper has a short study on the process of making a wonderful landscape, which is focused on the amphitheatre of the lakescape, Lodore and the scenery after sunset. The study confirms that the popularity of Derwent Water mainly lies in its terrific landscape concerned with an interwoven history of visual and verbal representations, the reading of which can lead to a deepening love and respect for our natural heritage and might also help to “see” the unseen human harms done to the landscape nowadays.},
 year = {2016}
}

Copy | Download

TY  - JOUR
T1  - Reading Derwent Water in Literature and Painting: From John Brown to Chiang Yee
AU  - Jingdong Zhong
Y1  - 2016/10/20
PY  - 2016
N1  - https://doi.org/10.11648/j.ijla.20160405.15
DO  - 10.11648/j.ijla.20160405.15
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 84
EP  - 89
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20160405.15
AB  - This paper attempts to discuss the ways of examining visual and verbal representations of landscapes so as to strengthen the “self-knowledge” of adjusting the balance between human beings and nature. Through reading Derwent Water in literature and painting, the paper has a short study on the process of making a wonderful landscape, which is focused on the amphitheatre of the lakescape, Lodore and the scenery after sunset. The study confirms that the popularity of Derwent Water mainly lies in its terrific landscape concerned with an interwoven history of visual and verbal representations, the reading of which can lead to a deepening love and respect for our natural heritage and might also help to “see” the unseen human harms done to the landscape nowadays.
VL  - 4
IS  - 5
ER  -

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