The Bulgarian Polyphonic Church Music (From 1878 to the 1930s)

Julian Kujumdzhiev

doi:doi:10.11648/j.ijla.s.2015030501.21

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The Bulgarian Polyphonic Church Music (From 1878 to the 1930s)

Julian Kujumdzhiev

Published in International Journal of Literature and Arts (Volume 3, Issue 5-1)

Received: 21 June 2015 Accepted: 2 July 2015 Published: 28 September 2015

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Abstract

The polyphonic choral singing is presented in Bulgaria after the Liberation from Turkish slavery in 1878. For the perceptions of our first professional musicians it is a musical “advancement” and chance for us to be raised up “next to the culturally elevated nations”. Polyphony is introduced mostly in the central part of the divine service – Liturgy. The first Bulgarian professional musicians (almost all of whom have passed through sacred choirs, conducting) introduced sacred music in their creative work, understanding the necessity for establishment of a Bulgarian style of sacred music, of “national body of works for sacred singing”.

Published in	International Journal of Literature and Arts (Volume 3, Issue 5-1) This article belongs to the Special Issue Musical Theory, Psychology, Pedagogy and Performing
DOI	10.11648/j.ijla.s.2015030501.21
Page(s)	77-82
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

East Orthodox Sacred Music, Bulgarian Polyphonic Church Music, “Bolgarskij Rospev”, Liturgy

References

[1]	Dobri Hristov. Accessible liturgy № 2. Preface. (Общодостъпна литургия № 2. Предговор). Sofia, 1934.
[2]	Dobri Christov. Ortodox church singing. (Православното църковно пеене). Muzikalen zhivot, 1931, № 20.
[3]	Dobri Christov. The choir church singing. (Хоровото църковно пеене). Dobri Christov. Muzikalnoteoretichesko i publitsistichesko nasledstvo. T. 1, Sofia, 1967.
[4]	Elena Toncheva. The monastery “Big Skit” – school of “Bolgarkij Rospev”. (Манастирът „Голям Скит” – школа на „Болгарский роспев”). Sofia, 1981.
[5]	Julian Kujumdzhiev. An attempt about new view to Christo Manolov. (Опит за нов поглед към Христо Манолов). Sofia, 2005, p. 23 – 30.
[6]	Julian Kujumdzhiev. Cultural-Historical aspects of the discussion on the authentic Bulgarian church singing. (Културноисторически аспекти на дискусията за истинското българско църковно пеене). Plovdiv, 2013.
[7]	Julian Kujumdzhiev. Polyphonic liturgy in Bulgarian music from liberation to the 1930s. (Многогласната литургия в българската музика от Оcвобождението до 30-те години на ХХ век). Sofia, 2003.
[8]	Julian Kujumdzhiev. “Some worlds about the technical organization and the origin of Bulgarian church melodies by Georgi Baydanov – translate and authorship. („Няколко думи върху техническото устройство и произхождението на българския черковен напев” от Георги Байданов – превод и авторство). Proletni cheteniya, Sofia, NMA, 2011.
[9]	Julian Kujumdzhiev. The church music after liberation beetween the “Old” and the “New”. (Църковната музика след Освобождението между „старото” и „новото”). Balgarsko muzikoznanie, 2000, № 2, 127 – 135.
[10]	Julian Kujumdzhiev (compiler). What is the authentic Bulgarian church singing? (Кое е истинското българско църковно пеене?). Plovdiv, 2011.
[11]	Petar Dinev. Church singing works of Atanas Badev. (Църковнопевческото творчество на Атанас Бадев). Duhovna kultura, 1960, № 12.
[12]	Petar Dinev. Liturgy of St. John Chrisostom on East church themes. Preface. (Литургия на св. Йоан Златоуст върху източноцърковни мотиви. Предговор). Sofia, 1926.
[13]	Petar Dinev. The contemporary state of church music in Bulgaria. (Съвременното състояние на църковната музика в България). Muzikalna misal, 1936 – 1937, № 1.
[14]	Svetlana Kujumdzieva. “‘Bulgarian Chant’ through the view of the first Bulgarian musical and publical figures after the Liberation”. („Болгарский роспев” през погледа на първите български музикалнообществени дейци след Освобождението). Balgarsko muzikoznanie, 1, 1982, 59 – 72.

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Julian Kujumdzhiev. (2015). The Bulgarian Polyphonic Church Music (From 1878 to the 1930s). International Journal of Literature and Arts, 3(5-1), 77-82. https://doi.org/10.11648/j.ijla.s.2015030501.21

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Julian Kujumdzhiev. The Bulgarian Polyphonic Church Music (From 1878 to the 1930s). Int. J. Lit. Arts 2015, 3(5-1), 77-82. doi: 10.11648/j.ijla.s.2015030501.21

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AMA Style

Julian Kujumdzhiev. The Bulgarian Polyphonic Church Music (From 1878 to the 1930s). Int J Lit Arts. 2015;3(5-1):77-82. doi: 10.11648/j.ijla.s.2015030501.21

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@article{10.11648/j.ijla.s.2015030501.21,
  author = {Julian Kujumdzhiev},
  title = {The Bulgarian Polyphonic Church Music (From 1878 to the 1930s)},
  journal = {International Journal of Literature and Arts},
  volume = {3},
  number = {5-1},
  pages = {77-82},
  doi = {10.11648/j.ijla.s.2015030501.21},
  url = {https://doi.org/10.11648/j.ijla.s.2015030501.21},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.s.2015030501.21},
  abstract = {The polyphonic choral singing is presented in Bulgaria after the Liberation from Turkish slavery in 1878. For the perceptions of our first professional musicians it is a musical “advancement” and chance for us to be raised up “next to the culturally elevated nations”. Polyphony is introduced mostly in the central part of the divine service – Liturgy. The first Bulgarian professional musicians (almost all of whom have passed through sacred choirs, conducting) introduced sacred music in their creative work, understanding the necessity for establishment of a Bulgarian style of sacred music, of “national body of works for sacred singing”.},
 year = {2015}
}

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TY  - JOUR
T1  - The Bulgarian Polyphonic Church Music (From 1878 to the 1930s)
AU  - Julian Kujumdzhiev
Y1  - 2015/09/28
PY  - 2015
N1  - https://doi.org/10.11648/j.ijla.s.2015030501.21
DO  - 10.11648/j.ijla.s.2015030501.21
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 77
EP  - 82
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.s.2015030501.21
AB  - The polyphonic choral singing is presented in Bulgaria after the Liberation from Turkish slavery in 1878. For the perceptions of our first professional musicians it is a musical “advancement” and chance for us to be raised up “next to the culturally elevated nations”. Polyphony is introduced mostly in the central part of the divine service – Liturgy. The first Bulgarian professional musicians (almost all of whom have passed through sacred choirs, conducting) introduced sacred music in their creative work, understanding the necessity for establishment of a Bulgarian style of sacred music, of “national body of works for sacred singing”.
VL  - 3
IS  - 5-1
ER  -

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Author Information

Julian Kujumdzhiev

Faculty of Musical Education, Academy of Music, Dance and Fine Arts, Plovdiv, Bulgaria

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APA Style

Julian Kujumdzhiev. (2015). The Bulgarian Polyphonic Church Music (From 1878 to the 1930s). International Journal of Literature and Arts, 3(5-1), 77-82. https://doi.org/10.11648/j.ijla.s.2015030501.21

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ACS Style

Julian Kujumdzhiev. The Bulgarian Polyphonic Church Music (From 1878 to the 1930s). Int. J. Lit. Arts 2015, 3(5-1), 77-82. doi: 10.11648/j.ijla.s.2015030501.21

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AMA Style

Julian Kujumdzhiev. The Bulgarian Polyphonic Church Music (From 1878 to the 1930s). Int J Lit Arts. 2015;3(5-1):77-82. doi: 10.11648/j.ijla.s.2015030501.21

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@article{10.11648/j.ijla.s.2015030501.21,
  author = {Julian Kujumdzhiev},
  title = {The Bulgarian Polyphonic Church Music (From 1878 to the 1930s)},
  journal = {International Journal of Literature and Arts},
  volume = {3},
  number = {5-1},
  pages = {77-82},
  doi = {10.11648/j.ijla.s.2015030501.21},
  url = {https://doi.org/10.11648/j.ijla.s.2015030501.21},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.s.2015030501.21},
  abstract = {The polyphonic choral singing is presented in Bulgaria after the Liberation from Turkish slavery in 1878. For the perceptions of our first professional musicians it is a musical “advancement” and chance for us to be raised up “next to the culturally elevated nations”. Polyphony is introduced mostly in the central part of the divine service – Liturgy. The first Bulgarian professional musicians (almost all of whom have passed through sacred choirs, conducting) introduced sacred music in their creative work, understanding the necessity for establishment of a Bulgarian style of sacred music, of “national body of works for sacred singing”.},
 year = {2015}
}

Copy | Download

TY  - JOUR
T1  - The Bulgarian Polyphonic Church Music (From 1878 to the 1930s)
AU  - Julian Kujumdzhiev
Y1  - 2015/09/28
PY  - 2015
N1  - https://doi.org/10.11648/j.ijla.s.2015030501.21
DO  - 10.11648/j.ijla.s.2015030501.21
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 77
EP  - 82
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.s.2015030501.21
AB  - The polyphonic choral singing is presented in Bulgaria after the Liberation from Turkish slavery in 1878. For the perceptions of our first professional musicians it is a musical “advancement” and chance for us to be raised up “next to the culturally elevated nations”. Polyphony is introduced mostly in the central part of the divine service – Liturgy. The first Bulgarian professional musicians (almost all of whom have passed through sacred choirs, conducting) introduced sacred music in their creative work, understanding the necessity for establishment of a Bulgarian style of sacred music, of “national body of works for sacred singing”.
VL  - 3
IS  - 5-1
ER  -

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