The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory

Wang Fei

doi:doi:10.11648/j.si.20160402.23

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The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory

Wang Fei

Published in Science Innovation (Volume 4, Issue 2)

Received: 20 April 2016 Accepted: Published: 21 April 2016

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Abstract

In the context of globalization, mass media has played a part in the intercultural communication and the construction of national cultural identity. The research is to explore the intercultural communication of the documentary films from the perspective of “Contact Zone” theory. It compares and analyzes the features of successful documentary films issued by the BBC and Discovery and finds that the producers of these documentary films have changed their mode to simply view China as “the other” from their own cultures, but tried to negotiate and interact with the international audience by modifying the content, narration methods and the cross-border combination of experts in their teams. The research is to enlighten the making of the documentary films in China to actively construct a “Contact Zone” between Chinese culture and their target international audience in order to set up a real national image.

Published in	Science Innovation (Volume 4, Issue 2)
DOI	10.11648/j.si.20160402.23
Page(s)	95-98
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

“Contact Zone” Theory, Documentary Film, Intercultural Communication

References

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[3]	赛义德.《东方学》[M].北京:三联书店,1999（426）。
[4]	卢兴、郑飞.中国本土文化身份的反思与重构--基于后殖民理论的考察[J]江西社会科学，2011，04。
[5]	冯欣.《美丽中国》全案研究[J].中国电视记录.2012，08。
[6]	关世杰.《中国跨文化传播研究十年回顾》[J].《新华文摘》2007，04。
[7]	高峰,赵建国.中国纪录片跨文化传播的障碍与超越[J].现代传播-中国传媒大学学报.2009，03。
[8]	付春苗、李超.浅析电视纪录片叙事艺术的“故事化”理念[J].新闻界，2010，01。
[9]	陈晓彬.叙事•融合•转变——2014年纪录片理论研究综述[J].现代视听，2015，09。
[10]	程春丽.中国纪录片“走出去”探索与对策研究[J].中国电视（纪录）.2014，11。
[11]	庞慧敏,狄梦霜.文化认同与文化强国——电视纪录片创作中的文化认同构建[J].中国电视（纪录）.2012，03。

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Wang Fei. (2016). The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory. Science Innovation, 4(2), 95-98. https://doi.org/10.11648/j.si.20160402.23

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Wang Fei. The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory. Sci. Innov. 2016, 4(2), 95-98. doi: 10.11648/j.si.20160402.23

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AMA Style

Wang Fei. The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory. Sci Innov. 2016;4(2):95-98. doi: 10.11648/j.si.20160402.23

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@article{10.11648/j.si.20160402.23,
  author = {Wang Fei},
  title = {The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory},
  journal = {Science Innovation},
  volume = {4},
  number = {2},
  pages = {95-98},
  doi = {10.11648/j.si.20160402.23},
  url = {https://doi.org/10.11648/j.si.20160402.23},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20160402.23},
  abstract = {In the context of globalization, mass media has played a part in the intercultural communication and the construction of national cultural identity. The research is to explore the intercultural communication of the documentary films from the perspective of “Contact Zone” theory. It compares and analyzes the features of successful documentary films issued by the BBC and Discovery and finds that the producers of these documentary films have changed their mode to simply view China as “the other” from their own cultures, but tried to negotiate and interact with the international audience by modifying the content, narration methods and the cross-border combination of experts in their teams. The research is to enlighten the making of the documentary films in China to actively construct a “Contact Zone” between Chinese culture and their target international audience in order to set up a real national image.},
 year = {2016}
}

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TY  - JOUR
T1  - The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory
AU  - Wang Fei
Y1  - 2016/04/21
PY  - 2016
N1  - https://doi.org/10.11648/j.si.20160402.23
DO  - 10.11648/j.si.20160402.23
T2  - Science Innovation
JF  - Science Innovation
JO  - Science Innovation
SP  - 95
EP  - 98
PB  - Science Publishing Group
SN  - 2328-787X
UR  - https://doi.org/10.11648/j.si.20160402.23
AB  - In the context of globalization, mass media has played a part in the intercultural communication and the construction of national cultural identity. The research is to explore the intercultural communication of the documentary films from the perspective of “Contact Zone” theory. It compares and analyzes the features of successful documentary films issued by the BBC and Discovery and finds that the producers of these documentary films have changed their mode to simply view China as “the other” from their own cultures, but tried to negotiate and interact with the international audience by modifying the content, narration methods and the cross-border combination of experts in their teams. The research is to enlighten the making of the documentary films in China to actively construct a “Contact Zone” between Chinese culture and their target international audience in order to set up a real national image.
VL  - 4
IS  - 2
ER  -

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Author Information

Wang Fei

School of Foreign Languages, Huazhong Agricultural University, Wuhan, China

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APA Style

Wang Fei. (2016). The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory. Science Innovation, 4(2), 95-98. https://doi.org/10.11648/j.si.20160402.23

Copy | Download

ACS Style

Wang Fei. The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory. Sci. Innov. 2016, 4(2), 95-98. doi: 10.11648/j.si.20160402.23

Copy | Download

AMA Style

Wang Fei. The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory. Sci Innov. 2016;4(2):95-98. doi: 10.11648/j.si.20160402.23

Copy | Download

@article{10.11648/j.si.20160402.23,
  author = {Wang Fei},
  title = {The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory},
  journal = {Science Innovation},
  volume = {4},
  number = {2},
  pages = {95-98},
  doi = {10.11648/j.si.20160402.23},
  url = {https://doi.org/10.11648/j.si.20160402.23},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20160402.23},
  abstract = {In the context of globalization, mass media has played a part in the intercultural communication and the construction of national cultural identity. The research is to explore the intercultural communication of the documentary films from the perspective of “Contact Zone” theory. It compares and analyzes the features of successful documentary films issued by the BBC and Discovery and finds that the producers of these documentary films have changed their mode to simply view China as “the other” from their own cultures, but tried to negotiate and interact with the international audience by modifying the content, narration methods and the cross-border combination of experts in their teams. The research is to enlighten the making of the documentary films in China to actively construct a “Contact Zone” between Chinese culture and their target international audience in order to set up a real national image.},
 year = {2016}
}

Copy | Download

TY  - JOUR
T1  - The Intercultural Communication of the Documentary Films from the Perspective of “Contact Zone” Theory
AU  - Wang Fei
Y1  - 2016/04/21
PY  - 2016
N1  - https://doi.org/10.11648/j.si.20160402.23
DO  - 10.11648/j.si.20160402.23
T2  - Science Innovation
JF  - Science Innovation
JO  - Science Innovation
SP  - 95
EP  - 98
PB  - Science Publishing Group
SN  - 2328-787X
UR  - https://doi.org/10.11648/j.si.20160402.23
AB  - In the context of globalization, mass media has played a part in the intercultural communication and the construction of national cultural identity. The research is to explore the intercultural communication of the documentary films from the perspective of “Contact Zone” theory. It compares and analyzes the features of successful documentary films issued by the BBC and Discovery and finds that the producers of these documentary films have changed their mode to simply view China as “the other” from their own cultures, but tried to negotiate and interact with the international audience by modifying the content, narration methods and the cross-border combination of experts in their teams. The research is to enlighten the making of the documentary films in China to actively construct a “Contact Zone” between Chinese culture and their target international audience in order to set up a real national image.
VL  - 4
IS  - 2
ER  -

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