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On Appreciating Lakes and Ponds: Thoreau’s Walden

Received: 23 July 2016    Accepted:     Published: 25 July 2016
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Abstract

This paper attempts to supply an aesthetic approach to interpreting lake writing. Based on the studies of the philosophical and aesthetic connotations of lakes and ponds, the paper explores the sequence of Thoreau’s aesthetic experience at the Walden through close-in reading of some pieces of lake writing in Walden, which is probably concerned with the “seeing” modes of the reflection of Mirrors and Youguan. This paper arrives at a conclusion that the adoption of such aesthetic modes may help to further the comprehension of Walden while give some implications for the interpretation of other nature writings.

Published in Science Innovation (Volume 4, Issue 4)
DOI 10.11648/j.si.20160404.11
Page(s) 172-176
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Lakes and Ponds, Appreciating, The Reflection of Mirrors, Youguan, Thoreau, Walden

References
[1] 龙晶.对天地的一个现象学考察[J].人文杂志,2004(4):12-22。
[2] Potocka, I. The Lakescape in the Eyes of a Tourist[J]. Quaestiones Geographicae, 2013, 32(3): 85-97.
[3] Thoreau,H.D.Walden[M]. Beijing: Foreign Language Press, 2010: 181-196; 285-290; 87-89.
[4] 周易[M].马恒君,注释.北京:华夏出版社,2001:57、75、17、58。
[5] 胡仔.苕溪渔隐丛话[M].廖德明,点校.北京:人民文学出版社,1962:26。
[6] Neset, A. Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture[M].New York: Peter Lang, 2009: 90-110.
[7] 郭庆藩.庄子集释[M].王孝鱼,点校.北京:中华书局,1961:211、95、309、706。
[8] 郭熙.林泉高致[M].郭思,编.杨伯,编著.北京:中华书局,2010:69、39。
[9] 谭峭.化书[M].丁祯彦,李似珍,点校.北京:中华书局,2010:2、3、28、5。
[10] Hodder, A. D. Thoreau's Ecstatic Witness. New Haven: Yale University Press, 2001: xiv, 194.
[11] 宗白华.美学漫话[M].武汉:长江文艺出版社,2008:101、115。
[12] 刘继潮.游观--中国古典绘画空间本体诠释[M].北京:三联书店,2011:76。
[13] Leiter, D. Toward the Still Point: T. S. Eliot’s Four Quartets and Thoreau’s Walden[D]. Saskatoon: University of Saskatchewan, 2007: 7-11.
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  • APA Style

    Jingdong Zhong. (2016). On Appreciating Lakes and Ponds: Thoreau’s Walden. Science Innovation, 4(4), 172-176. https://doi.org/10.11648/j.si.20160404.11

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    ACS Style

    Jingdong Zhong. On Appreciating Lakes and Ponds: Thoreau’s Walden. Sci. Innov. 2016, 4(4), 172-176. doi: 10.11648/j.si.20160404.11

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    AMA Style

    Jingdong Zhong. On Appreciating Lakes and Ponds: Thoreau’s Walden. Sci Innov. 2016;4(4):172-176. doi: 10.11648/j.si.20160404.11

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  • @article{10.11648/j.si.20160404.11,
      author = {Jingdong Zhong},
      title = {On Appreciating Lakes and Ponds: Thoreau’s Walden},
      journal = {Science Innovation},
      volume = {4},
      number = {4},
      pages = {172-176},
      doi = {10.11648/j.si.20160404.11},
      url = {https://doi.org/10.11648/j.si.20160404.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20160404.11},
      abstract = {This paper attempts to supply an aesthetic approach to interpreting lake writing. Based on the studies of the philosophical and aesthetic connotations of lakes and ponds, the paper explores the sequence of Thoreau’s aesthetic experience at the Walden through close-in reading of some pieces of lake writing in Walden, which is probably concerned with the “seeing” modes of the reflection of Mirrors and Youguan. This paper arrives at a conclusion that the adoption of such aesthetic modes may help to further the comprehension of Walden while give some implications for the interpretation of other nature writings.},
     year = {2016}
    }
    

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    AB  - This paper attempts to supply an aesthetic approach to interpreting lake writing. Based on the studies of the philosophical and aesthetic connotations of lakes and ponds, the paper explores the sequence of Thoreau’s aesthetic experience at the Walden through close-in reading of some pieces of lake writing in Walden, which is probably concerned with the “seeing” modes of the reflection of Mirrors and Youguan. This paper arrives at a conclusion that the adoption of such aesthetic modes may help to further the comprehension of Walden while give some implications for the interpretation of other nature writings.
    VL  - 4
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Author Information
  • English Faculty, Zhejiang Yuexiu University of Foreign Languages, Shaoxing, China

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