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Design Considerations of Contemporary Ceramic Art Exhibits

Received: 07 August 2017    Accepted:     Published: 07 August 2017
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Abstract

In modern society, we should not only inherit the tradition, but also transform it with innovative thinking. Most of China's ceramic art enthusiasts still stay on the traditional view of ceramic design. However, this kind of cling to the traditional thought cannot adapt to the contemporary art environment. This paper studies the design method of contemporary ceramic art exhibits with the theory of modern design. This paper analyzes the design context of contemporary ceramic art exhibits from the angle of psychology, studies the manifestation of contemporary ceramic art exhibits in the modern context, tries to return to nature, and finds its own concise design form and unique design language in naturalism.

DOI 10.11648/j.si.20170505.20
Published in Science Innovation (Volume 5, Issue 5, October 2017)
Page(s) 298-302
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Ceramic Art Exhibits, Modern Design Method, Naturalism, Simple Design

References
[1] 朱光潜著.《西方美学史》[M].北京:人民文学出版社,2002.5.
[2] (美)卡罗尔•D.巴格著.国外家居设计精选-典雅室内设计[M].北京:中国建筑工业出版社,2005。
[3] [日]隈研吾著.《新建筑入门》[M].北京:中信出版社,2011.1。
[4] [日]原研哉著(张钰,译)欲望的教育[M].广西:广西师范大学出版社,2012。
[5] 老子.《道德经》[M].第十九章。
[6] 《狄德罗论美文选》[M].北京:人民文学出版社,1984.16。
[7] 宗白华著.《美学与意境》[M].北京:人民出版杜,2009年版。
[8] 李文嘉.从物性到诗性—禅意美学下的陶瓷产品创新设计研究[J].中国陶瓷.2016.1。
[9] 郑玉梅.极简主义风格在生活陶艺设计中的应用研究[J].中国陶瓷.2016.4。
[10] 陈潇玮.还物以本真—卢志荣自然主义家具设计解析[J].装饰.2012.5。
[11] 郭天宝.基于空间优化的居室陈列品设计研究[D].吉林大学,2015.4。
Author Information
  • Art and Design School, Wuhan University of Technology, Wuhan, China

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    Huang Zhang. (2017). Design Considerations of Contemporary Ceramic Art Exhibits. Science Innovation, 5(5), 298-302. https://doi.org/10.11648/j.si.20170505.20

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    Huang Zhang. Design Considerations of Contemporary Ceramic Art Exhibits. Sci. Innov. 2017, 5(5), 298-302. doi: 10.11648/j.si.20170505.20

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    Huang Zhang. Design Considerations of Contemporary Ceramic Art Exhibits. Sci Innov. 2017;5(5):298-302. doi: 10.11648/j.si.20170505.20

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  • @article{10.11648/j.si.20170505.20,
      author = {Huang Zhang},
      title = {Design Considerations of Contemporary Ceramic Art Exhibits},
      journal = {Science Innovation},
      volume = {5},
      number = {5},
      pages = {298-302},
      doi = {10.11648/j.si.20170505.20},
      url = {https://doi.org/10.11648/j.si.20170505.20},
      eprint = {https://download.sciencepg.com/pdf/10.11648.j.si.20170505.20},
      abstract = {In modern society, we should not only inherit the tradition, but also transform it with innovative thinking. Most of China's ceramic art enthusiasts still stay on the traditional view of ceramic design. However, this kind of cling to the traditional thought cannot adapt to the contemporary art environment. This paper studies the design method of contemporary ceramic art exhibits with the theory of modern design. This paper analyzes the design context of contemporary ceramic art exhibits from the angle of psychology, studies the manifestation of contemporary ceramic art exhibits in the modern context, tries to return to nature, and finds its own concise design form and unique design language in naturalism.},
     year = {2017}
    }
    

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    AU  - Huang Zhang
    Y1  - 2017/08/07
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    N1  - https://doi.org/10.11648/j.si.20170505.20
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    AB  - In modern society, we should not only inherit the tradition, but also transform it with innovative thinking. Most of China's ceramic art enthusiasts still stay on the traditional view of ceramic design. However, this kind of cling to the traditional thought cannot adapt to the contemporary art environment. This paper studies the design method of contemporary ceramic art exhibits with the theory of modern design. This paper analyzes the design context of contemporary ceramic art exhibits from the angle of psychology, studies the manifestation of contemporary ceramic art exhibits in the modern context, tries to return to nature, and finds its own concise design form and unique design language in naturalism.
    VL  - 5
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