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Oriental Vision of Bonds and Related Metaphors in Literature

Received: 24 November 2016    Accepted: 21 December 2016    Published: 23 January 2017
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Abstract

The paper analyses symbols and references related to freedom lost and finding by the human being, with the sample of Rabindranath Tagore’s literary work, Indian poet, philosopher and painter (1861-1941). Through those elements a symbolic framework is built, showing a certain conception of true freedom, always related to transcendence. That conquest is desired and feared at the same time, as a contradiction that presents itself as a reflection of human nature.

Published in Arabic Language, Literature & Culture (Volume 2, Issue 1)
DOI 10.11648/j.allc.20170201.11
Page(s) 1-4
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Bondage, Spiritual Liberation, Liberation of the Senses, Elements

References
[1] Saneleuterio, Elia (2011): “Hierro y Tagore frente a sus ataduras: la alucinación como espacio poético de libertad”, in Pilar Caballero-Alías, Félix Ernesto Chávez & Blanca Ripoll Sintes (eds.): Del verbo al espejo. Reflejos y miradas de la literatura hispánica, Barcelona, PPU. Promociones y Publicaciones Universitarias S. A., pp. 187-200.
[2] Gupta, Kalyan Sen (2016): The Philosophy of Rabindranath Tagore, New York, Routledge [1st ed.: 2005].
[3] Hossain, F. Anayet (2015): “Universal Humanism of Tagore”, Asian Journal of Social Sciences & Humanities, 4 (2). Online: http://www.ajssh.leena-luna.co.jp/AJSSHPDFs/Vol.4(2)/AJSSH2015(4.2-09).pdf.
[4] Sriprabha, M. & SankaR, G. (2016): “Humanistic Approaches in the Selected Works of Rabindranath Tagore”, Language in India, 16 (5), pp. 256-264. Online: http://www.languageinindia.com/may2016/sriprabhatagorehumanism1.pdf.
[5] Tagore, Rabindranath (1913): Gitanjali. Online. http://www.sacred-texts.com/hin/tagore/gitnjali.htm.
[6] Yeats, W. B. (1913): “Introduction”, in Rabindranath Tagore, Gitanjali. Online. http://www.sacred-texts.com/hin/tagore/gitnjali.htm.
[7] Tagore, Rabindranath (1916): Fruit-Gathering, BookRix [2015]. Online. https://books.google.es/books?id=eZhsAwAAQBAJ&pg=PT2&dq=fruit+gathering&hl=es&sa=X&ved=0ahUKEwidm-nduOLQAhUK1hQKHffKAVMQ6AEIGjAA#v=onepage&q=fruit%20gathering&f=false.
[8] Devi, Aarti (2015): “Propagation of Truth through Beauty of Religion in Aesthetics in study of Rabindranath Tagore”. International Journal of Applied Research (IJAR), 1 (4), p. 313. Online. http://www.allresearchjournal.com/archives/2015/vol1issue4/PartF/102.1.pdf.
[9] Saneleuterio, Elia (2013): “ ‘Me voy a todas partes’. Filosofía, poesía y misión”, Grado Filosofía Online de la UCV - Proyecto Red de Investigaciones Filosóficas SCIO, January 15th. Online. http://blogfilosofia.ucv.es/articulos-filosoficos/me-voy-a-todas-partes-filosofia-poesia-y-mision-articulo-sobre-r-tagore/.
[10] Bachelard, Gaston (1943): L’air et les songes: essai sur l’imagination du mouvement, Paris, Corti.
[11] Bachelard, Gaston (1966): Psicoanálisis del fuego, Madrid, Alianza [1st ed. in french: 1938].
[12] Bachelard, Gaston (1998): La poética del espacio, Madrid, Fondo de Cultura Económica [1st ed. in french 1957].
[13] Bachelard, Gaston (2006): La tierra y los ensueños del reposo. Ensayo sobre las imágenes de la intimidad, México, Fondo de Cultura Económica [1st ed. in french: 1948].
[14] Keriheb Kalio, F. L. (s/f): “Ganaré mi reino, R. Tagore. Reflexión”. Online. http://arcalucis4.netfirms.com/FL2386.html.
[15] Chevalier, Jean & Alain GHEERBRANT (2007): Diccionario de los símbolos, Barcelona, Herder, p. 208.
[16] Saneleuterio, Elia (2010): “Espacio público y territorialización. La imagen de la mujer en la obra de José Hierro”, in María Mercedes González de Sande (cur.): Donne, identità e progresso nelle culture mediterranee, Roma, Aracne, 2010, pp. 429-440.
[17] Saneleuterio, Elia (2012): “La recepció del pensament tagorià en la cultura hispànica del segle XX”, Liburna. International Journal of Humanities, 5, pp. 225-236. Online. https://www.ucv.es/investigacion/publicaciones/catalogo-de-revistas/revista-liburna/articulo/235.
[18] Tagore, Rabindranath (1970): Obra escojida: Lírica breve: Teatro. Cuento. Aforismo. Escuela, transl. Zenobia Camprubí de Jiménez, Madrid, Aguilar, p. 267.
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  • APA Style

    Elia Saneleuterio. (2017). Oriental Vision of Bonds and Related Metaphors in Literature. Arabic Language, Literature & Culture, 2(1), 1-4. https://doi.org/10.11648/j.allc.20170201.11

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    ACS Style

    Elia Saneleuterio. Oriental Vision of Bonds and Related Metaphors in Literature. Arab. Lang. Lit. Cult. 2017, 2(1), 1-4. doi: 10.11648/j.allc.20170201.11

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    AMA Style

    Elia Saneleuterio. Oriental Vision of Bonds and Related Metaphors in Literature. Arab Lang Lit Cult. 2017;2(1):1-4. doi: 10.11648/j.allc.20170201.11

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  • @article{10.11648/j.allc.20170201.11,
      author = {Elia Saneleuterio},
      title = {Oriental Vision of Bonds and Related Metaphors in Literature},
      journal = {Arabic Language, Literature & Culture},
      volume = {2},
      number = {1},
      pages = {1-4},
      doi = {10.11648/j.allc.20170201.11},
      url = {https://doi.org/10.11648/j.allc.20170201.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.allc.20170201.11},
      abstract = {The paper analyses symbols and references related to freedom lost and finding by the human being, with the sample of Rabindranath Tagore’s literary work, Indian poet, philosopher and painter (1861-1941). Through those elements a symbolic framework is built, showing a certain conception of true freedom, always related to transcendence. That conquest is desired and feared at the same time, as a contradiction that presents itself as a reflection of human nature.},
     year = {2017}
    }
    

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    AB  - The paper analyses symbols and references related to freedom lost and finding by the human being, with the sample of Rabindranath Tagore’s literary work, Indian poet, philosopher and painter (1861-1941). Through those elements a symbolic framework is built, showing a certain conception of true freedom, always related to transcendence. That conquest is desired and feared at the same time, as a contradiction that presents itself as a reflection of human nature.
    VL  - 2
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Author Information
  • Department of Language and Literature Didactics, Faculty of Education, University of Valencia, Valencia, Spain

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