Arabic Language, Literature & Culture

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Dubbing Melodramas in the Arab World; Between the Standard Language and Colloquial Dialects

Received: 14 May 2017    Accepted: 06 June 2017    Published: 13 July 2017
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Abstract

This paper addresses the phenomenon of dubbing foreign non-Arab media content, particularly melodramas, using Arabic colloquial varieties instead of the Standard language. It attempts to discover what dialect or variety is preferred most by the participants included, and if the choices made were driven by any suggested criterion. The sample is randomly formed through a mainly quantitative online questionnaire, including 279 participants from Saudi Arabia. A good number of the sample opted for the Standard language over the colloquial varieties, and when they had to choose one from the colloquial, they opted for the Syrian dialect. The strong affinity to the Turkish soap opera, which achieved its success through the Syrian dialect, seems to nourish a more positive attitude toward the Syrian dialect compared to other dialects used and provided by the study, such as the Khaleeji, Hijazi, and Egyptian dialects. However, with foreign dramas other than the Turkish, whatever the criterion behind selecting certain varieties for dubbing, the Standard comes in at first place, then the Syrian. That is, the Khaleeji with the Indian drama, and the Hijazi with Korean drama are not favoured by the participants. This latter finding is interesting, since the Khaleeji and Hijazi are the participants’ own dialects (or those closest to them), yet were rejected nonetheless.

DOI 10.11648/j.allc.20170203.11
Published in Arabic Language, Literature & Culture (Volume 2, Issue 3, September 2017)
Page(s) 49-59
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Dubbing Non-arab Melodrama, Language Attitudes, Turkish Melodrama, Syrian Dialect, Standard Arabic, Arabic Colloquial Dialects, Cultural Juxtaposition

References
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Author Information
  • English Language Center, Jazan University, Jazan, Saudi Arabia

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  • APA Style

    Elham Abdullah Ghobain. (2017). Dubbing Melodramas in the Arab World; Between the Standard Language and Colloquial Dialects. Arabic Language, Literature & Culture, 2(3), 49-59. https://doi.org/10.11648/j.allc.20170203.11

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    Elham Abdullah Ghobain. Dubbing Melodramas in the Arab World; Between the Standard Language and Colloquial Dialects. Arab. Lang. Lit. Cult. 2017, 2(3), 49-59. doi: 10.11648/j.allc.20170203.11

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    AMA Style

    Elham Abdullah Ghobain. Dubbing Melodramas in the Arab World; Between the Standard Language and Colloquial Dialects. Arab Lang Lit Cult. 2017;2(3):49-59. doi: 10.11648/j.allc.20170203.11

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  • @article{10.11648/j.allc.20170203.11,
      author = {Elham Abdullah Ghobain},
      title = {Dubbing Melodramas in the Arab World; Between the Standard Language and Colloquial Dialects},
      journal = {Arabic Language, Literature & Culture},
      volume = {2},
      number = {3},
      pages = {49-59},
      doi = {10.11648/j.allc.20170203.11},
      url = {https://doi.org/10.11648/j.allc.20170203.11},
      eprint = {https://download.sciencepg.com/pdf/10.11648.j.allc.20170203.11},
      abstract = {This paper addresses the phenomenon of dubbing foreign non-Arab media content, particularly melodramas, using Arabic colloquial varieties instead of the Standard language. It attempts to discover what dialect or variety is preferred most by the participants included, and if the choices made were driven by any suggested criterion. The sample is randomly formed through a mainly quantitative online questionnaire, including 279 participants from Saudi Arabia. A good number of the sample opted for the Standard language over the colloquial varieties, and when they had to choose one from the colloquial, they opted for the Syrian dialect. The strong affinity to the Turkish soap opera, which achieved its success through the Syrian dialect, seems to nourish a more positive attitude toward the Syrian dialect compared to other dialects used and provided by the study, such as the Khaleeji, Hijazi, and Egyptian dialects. However, with foreign dramas other than the Turkish, whatever the criterion behind selecting certain varieties for dubbing, the Standard comes in at first place, then the Syrian. That is, the Khaleeji with the Indian drama, and the Hijazi with Korean drama are not favoured by the participants. This latter finding is interesting, since the Khaleeji and Hijazi are the participants’ own dialects (or those closest to them), yet were rejected nonetheless.},
     year = {2017}
    }
    

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    AB  - This paper addresses the phenomenon of dubbing foreign non-Arab media content, particularly melodramas, using Arabic colloquial varieties instead of the Standard language. It attempts to discover what dialect or variety is preferred most by the participants included, and if the choices made were driven by any suggested criterion. The sample is randomly formed through a mainly quantitative online questionnaire, including 279 participants from Saudi Arabia. A good number of the sample opted for the Standard language over the colloquial varieties, and when they had to choose one from the colloquial, they opted for the Syrian dialect. The strong affinity to the Turkish soap opera, which achieved its success through the Syrian dialect, seems to nourish a more positive attitude toward the Syrian dialect compared to other dialects used and provided by the study, such as the Khaleeji, Hijazi, and Egyptian dialects. However, with foreign dramas other than the Turkish, whatever the criterion behind selecting certain varieties for dubbing, the Standard comes in at first place, then the Syrian. That is, the Khaleeji with the Indian drama, and the Hijazi with Korean drama are not favoured by the participants. This latter finding is interesting, since the Khaleeji and Hijazi are the participants’ own dialects (or those closest to them), yet were rejected nonetheless.
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