William Wordsworth, English poet of the 19th century, and Sohrab Sepehri, contemporary Persian poet, would definitely belong to two diverse ages, cultures and traditions. In the case of poetry, notwithstanding all of their discrepancies in discourse, they have worked on a quasi-framework. In this study, Sepehri's "Water's Footsteps" – /SedAye PAye Ab/ – and Wordsworth's "Tintern Abbey" are inspected comparatively by seeking the significant influxes of 'mother nature' in order to find out the points of similarity and diversity in their voices by representing a nature-based migration from innocence to experience.
| Published in | International Journal of Applied Linguistics and Translation (Volume 1, Issue 3) |
| DOI | 10.11648/j.ijalt.20150103.12 |
| Page(s) | 50-54 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2024. Published by Science Publishing Group |
Tintern Abbey, Water's Footsteps, Mother Nature, Migration
| [1] | Shalouei, M. (2012), I am Muslim, Congress of Cultural Glories and Relics. (A Translation of Nastaran NosratZadegan) |
| [2] | The Norton Anthology of English Literature. (2006). 8th (ed.) (2), W.W. Norton & Company: New York. |
| [3] | Shaw, P. (2015). An introduction to ‘Tintern Abbey’. Retrieved from http://www.bl.uk/romantics-and-victorians/articles/an-introduction-to-tintern-abbey |
| [4] | Abrams, M. H. (1960). "The Structure of Romantic Nature Imagery", English Romantic Poets: Modern Essays in Criticism, Oxford University Press: New York. |
| [5] | Furr, D. (1997). Memory: William Wordsworth and “Tintern Abbey". Poetry for Students: Holt, Rinehart and Winston |
| [6] | Niknasab, L., Pishbin, E. (2011). On the Translation of Poetry: A Look at Sohrab Sepehri's Traveler. SKASE Journal of Translation and Interpretation. (5) (1), 14-15. |
| [7] | Ashouri, D. (1992). "Sayade Lahzeha: Gashti Dar Havaye She're Sohrab Sepehri", Tahouri Library: Tehran. |
| [8] | Hoseini, S. (1992). "Niloufar Khamoush, Nazari Bar She're Sohrab Sepehri", Niloufar Publications: Tehran. |
| [9] | Levin, S. (2010). Wordsworth, Romantic Theory, and the Bridge to Postmodernism. GRAAT (8): New York. |
| [10] | Wuraola, D. F., (2011). The Romantic Philosophy in the Poetry of William Wordsworth and Samuel Taylor Coleridge. B.A. Thesis. University of Ilorin, Ilorin, Nigeria. |
| [11] | Frye, N. (1963). "The Drunken Boat: The Revolutionary Element in Romanticism", Romanticism Reconsidered, Selected Papers from the English Institute, Columbia University Press: New York. |
APA Style
Masoud Shahnazari. (2015). Migration from Innocence to Experience in William Wordsworth's "Tintern Abbey" and Sohrab Sepehri's "Water's Footsteps". International Journal of Applied Linguistics and Translation, 1(3), 50-54. https://doi.org/10.11648/j.ijalt.20150103.12
ACS Style
Masoud Shahnazari. Migration from Innocence to Experience in William Wordsworth's "Tintern Abbey" and Sohrab Sepehri's "Water's Footsteps". Int. J. Appl. Linguist. Transl. 2015, 1(3), 50-54. doi: 10.11648/j.ijalt.20150103.12
Share This Article
Twitter
Linked In
Facebook
Copy
Download@article{10.11648/j.ijalt.20150103.12,
author = {Masoud Shahnazari},
title = {Migration from Innocence to Experience in William Wordsworth's "Tintern Abbey" and Sohrab Sepehri's "Water's Footsteps"},
journal = {International Journal of Applied Linguistics and Translation},
volume = {1},
number = {3},
pages = {50-54},
doi = {10.11648/j.ijalt.20150103.12},
url = {https://doi.org/10.11648/j.ijalt.20150103.12},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijalt.20150103.12},
abstract = {William Wordsworth, English poet of the 19th century, and Sohrab Sepehri, contemporary Persian poet, would definitely belong to two diverse ages, cultures and traditions. In the case of poetry, notwithstanding all of their discrepancies in discourse, they have worked on a quasi-framework. In this study, Sepehri's "Water's Footsteps" – /SedAye PAye Ab/ – and Wordsworth's "Tintern Abbey" are inspected comparatively by seeking the significant influxes of 'mother nature' in order to find out the points of similarity and diversity in their voices by representing a nature-based migration from innocence to experience.},
year = {2015}
}
TY - JOUR T1 - Migration from Innocence to Experience in William Wordsworth's "Tintern Abbey" and Sohrab Sepehri's "Water's Footsteps" AU - Masoud Shahnazari Y1 - 2015/08/07 PY - 2015 N1 - https://doi.org/10.11648/j.ijalt.20150103.12 DO - 10.11648/j.ijalt.20150103.12 T2 - International Journal of Applied Linguistics and Translation JF - International Journal of Applied Linguistics and Translation JO - International Journal of Applied Linguistics and Translation SP - 50 EP - 54 PB - Science Publishing Group SN - 2472-1271 UR - https://doi.org/10.11648/j.ijalt.20150103.12 AB - William Wordsworth, English poet of the 19th century, and Sohrab Sepehri, contemporary Persian poet, would definitely belong to two diverse ages, cultures and traditions. In the case of poetry, notwithstanding all of their discrepancies in discourse, they have worked on a quasi-framework. In this study, Sepehri's "Water's Footsteps" – /SedAye PAye Ab/ – and Wordsworth's "Tintern Abbey" are inspected comparatively by seeking the significant influxes of 'mother nature' in order to find out the points of similarity and diversity in their voices by representing a nature-based migration from innocence to experience. VL - 1 IS - 3 ER -
Information
Email: