Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation

Seraphine Chepkosgei

doi:doi:10.11648/j.ijla.20140202.13

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Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation

Seraphine Chepkosgei

Published in International Journal of Literature and Arts (Volume 2, Issue 2)

Received: 16 December 2013 Accepted: Published: 20 March 2014

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Abstract

This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.

Published in	International Journal of Literature and Arts (Volume 2, Issue 2)
DOI	10.11648/j.ijla.20140202.13
Page(s)	40-43
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Nation, Nationhood, Identity

References

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[2]	Anne Mc Clintock (1995). "No Longer Future Heaven: Nationalism, Gender and Race," in Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. New York: Routledge Pp.354.
[3]	Cobhan, Rhonda (1991). "Boundaries of the Nation: Boundaries of the Self: African Nationalist Fiction and Nurddin Farah’s Maps." Research in African Literatures 22:83-98.
[4]	Deniz, Kandiyoti (1994). "Identity and Its Discontents: Women and the Nation," in Colonial Discourse and Post-Colonial Theory, (ed).Patrick Williams and Laura Chrisman. New York: Columbia University Press Pp .388.
[5]	Esonwanne, Uzo (1993). "The Nation as a Contested Referent."Research in African Literatures 24.4: 49-62.
[6]	Farah, Nurddin(1995). "Homing in on the Pigeon." Index of Censorship 22.5-6 (1993:16-20 Rev.and rpt.) as "Bastards of Empire: Writing and the Politics of Exile." Transition 65: 26-35.
[7]	Jameson, Fredric (1991). Postmodernism , or, the Cultural Logic of Late Capitalism. Post-Contemporary Interventions. Durham: Duke U P. (1986). "Third World Literature in the Era of Capitalism."Social Text 15:65-88.
[8]	Linda, Hutcheon (1988). A Poetic of Postmodernism: History, Theory, Fiction. New York, London: Routledge Pp.105.
[9]	Ngugi Wa Thion’go. "Interview." Eyoh 142-48.
[10]	Pardes, Ilana (1994). "Imagining the Promised Land: The Spies in the Land of the Giants."History and Memory 6:2:5-23.
[11]	Yewah, Emmanuel (2001). "Nation as a Contested Construct."Research in African Literatures 32:3:45-56.

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Seraphine Chepkosgei. (2014). Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. International Journal of Literature and Arts, 2(2), 40-43. https://doi.org/10.11648/j.ijla.20140202.13

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Seraphine Chepkosgei. Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. Int. J. Lit. Arts 2014, 2(2), 40-43. doi: 10.11648/j.ijla.20140202.13

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AMA Style

Seraphine Chepkosgei. Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. Int J Lit Arts. 2014;2(2):40-43. doi: 10.11648/j.ijla.20140202.13

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@article{10.11648/j.ijla.20140202.13,
  author = {Seraphine Chepkosgei},
  title = {Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation},
  journal = {International Journal of Literature and Arts},
  volume = {2},
  number = {2},
  pages = {40-43},
  doi = {10.11648/j.ijla.20140202.13},
  url = {https://doi.org/10.11648/j.ijla.20140202.13},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20140202.13},
  abstract = {This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.},
 year = {2014}
}

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TY  - JOUR
T1  - Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation
AU  - Seraphine Chepkosgei
Y1  - 2014/03/20
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DO  - 10.11648/j.ijla.20140202.13
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 40
EP  - 43
PB  - Science Publishing Group
SN  - 2331-057X
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AB  - This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.
VL  - 2
IS  - 2
ER  -

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Author Information

Seraphine Chepkosgei

Department of Literature, Theatre and Film Studies, Moi University

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Seraphine Chepkosgei. (2014). Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. International Journal of Literature and Arts, 2(2), 40-43. https://doi.org/10.11648/j.ijla.20140202.13

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ACS Style

Seraphine Chepkosgei. Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. Int. J. Lit. Arts 2014, 2(2), 40-43. doi: 10.11648/j.ijla.20140202.13

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AMA Style

Seraphine Chepkosgei. Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation. Int J Lit Arts. 2014;2(2):40-43. doi: 10.11648/j.ijla.20140202.13

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@article{10.11648/j.ijla.20140202.13,
  author = {Seraphine Chepkosgei},
  title = {Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation},
  journal = {International Journal of Literature and Arts},
  volume = {2},
  number = {2},
  pages = {40-43},
  doi = {10.11648/j.ijla.20140202.13},
  url = {https://doi.org/10.11648/j.ijla.20140202.13},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20140202.13},
  abstract = {This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.},
 year = {2014}
}

Copy | Download

TY  - JOUR
T1  - Reading M.G. Vassanji’s the in –Between World of Vikram Lall as an Allegory of the Nation
AU  - Seraphine Chepkosgei
Y1  - 2014/03/20
PY  - 2014
N1  - https://doi.org/10.11648/j.ijla.20140202.13
DO  - 10.11648/j.ijla.20140202.13
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 40
EP  - 43
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20140202.13
AB  - This paper will explore the use of allegory as a trope in the writing of East African Asian writer, M.G. Vassanji. We shall apply Fredric Jameson’s Allegory of the Nation in order to tease out the various ways in which the inner universe of the Kenyan nation is contested and constructed as well as the various enunciations of meanings that generate/are generated and their implications.
VL  - 2
IS  - 2
ER  -

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