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A Discussion on Rationalism of Ancient Greek Art and Its Influences in History

Received: 29 March 2016    Accepted: 9 April 2016    Published: 27 April 2016
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Abstract

Western civilisation originated in the age of ancient Greece. The general characteristics of western civilisation have ever suggested their original source from ancient Greek culture, in which, the idea “rationalism” has been viewed as the main property of cultural foundation. This very idea was not only showed upon the western ancient philosophy, the principles and the applications of modern science and technologies, but it also unfolded its ray in the region of western literature and arts. Particularly, the tendency of “rationalism” revealed itself in many periods of western art history. Under a brief historical review and the method of morphological research in visual form, this discussion tried to clarify the idea of “rationalism”, which embodied itself in many masterful works of different historical ages or presented its effects on such aesthetic standards as “imitation” and “ideal” in history. As the result, it will be exhibited clearly the historical evolution of this idea and its relationship with the development of western art and culture.

Published in International Journal of Literature and Arts (Volume 4, Issue 3)
DOI 10.11648/j.ijla.20160403.11
Page(s) 30-33
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Western Civilisation, Western Art, Rationalism, Idea

References
[1] Immanuel Kant, Logik Ein Handbuch zu Vorlesungen, The Commercial Press, Beijing, 1991.
[2] Leften Stavros Stavrianos, A Global History, Vol. 1, Peking University Press, Beijing, 2006.
[3] Ernst H. Gombrich, The Story of Art, Tianjin People’s Fine Arts Publishing House, Tianjin, 1998.
[4] Lionello Venturi, The Critical History of Western Art, Jiangsu Education Publishing House, Nanjing, 2005.
[5] Bertrand Russell, History of Western Philosophy, Vol. 1, The Commercial Press, Beijing, 2004.
[6] Chenping, History of World Architecture: From Remote Antiquity to 19th Century, Southeast University Press, Nanjing, 2006.
[7] Friedrich Hegel, The Philosophy of History, Shanghai Bookstore Publishing House, Shanghai, 2006.
[8] Oswald Spengler, The Decline of the West, SDX Joint Publishing Company, Shanghai, 2006.
[9] Wang Shouzhi, A History of Modern Design, China Youth Press, Beijing, 2002.
[10] Peter Burke, History and Social Theory, Shanghai People's Publishing House, Shanghai, 2010.
[11] Arthur S Marks, Rediscovering Greek Architecture and Discovering the Attic Order, Transactions of the American Philosophical Society, 2013, Vol. 103 (5): pp.5,7-14.
[12] Ralph Croizier, Modernism(s) and Global Modernity(ies): what can modern art offer to global history?, Journal of Global History, 2014, Vol. 9 (1): pp.162-167.
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  • APA Style

    Zhiyong Wang. (2016). A Discussion on Rationalism of Ancient Greek Art and Its Influences in History. International Journal of Literature and Arts, 4(3), 30-33. https://doi.org/10.11648/j.ijla.20160403.11

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    ACS Style

    Zhiyong Wang. A Discussion on Rationalism of Ancient Greek Art and Its Influences in History. Int. J. Lit. Arts 2016, 4(3), 30-33. doi: 10.11648/j.ijla.20160403.11

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    AMA Style

    Zhiyong Wang. A Discussion on Rationalism of Ancient Greek Art and Its Influences in History. Int J Lit Arts. 2016;4(3):30-33. doi: 10.11648/j.ijla.20160403.11

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  • @article{10.11648/j.ijla.20160403.11,
      author = {Zhiyong Wang},
      title = {A Discussion on Rationalism of Ancient Greek Art and Its Influences in History},
      journal = {International Journal of Literature and Arts},
      volume = {4},
      number = {3},
      pages = {30-33},
      doi = {10.11648/j.ijla.20160403.11},
      url = {https://doi.org/10.11648/j.ijla.20160403.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20160403.11},
      abstract = {Western civilisation originated in the age of ancient Greece. The general characteristics of western civilisation have ever suggested their original source from ancient Greek culture, in which, the idea “rationalism” has been viewed as the main property of cultural foundation. This very idea was not only showed upon the western ancient philosophy, the principles and the applications of modern science and technologies, but it also unfolded its ray in the region of western literature and arts. Particularly, the tendency of “rationalism” revealed itself in many periods of western art history. Under a brief historical review and the method of morphological research in visual form, this discussion tried to clarify the idea of “rationalism”, which embodied itself in many masterful works of different historical ages or presented its effects on such aesthetic standards as “imitation” and “ideal” in history. As the result, it will be exhibited clearly the historical evolution of this idea and its relationship with the development of western art and culture.},
     year = {2016}
    }
    

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    AB  - Western civilisation originated in the age of ancient Greece. The general characteristics of western civilisation have ever suggested their original source from ancient Greek culture, in which, the idea “rationalism” has been viewed as the main property of cultural foundation. This very idea was not only showed upon the western ancient philosophy, the principles and the applications of modern science and technologies, but it also unfolded its ray in the region of western literature and arts. Particularly, the tendency of “rationalism” revealed itself in many periods of western art history. Under a brief historical review and the method of morphological research in visual form, this discussion tried to clarify the idea of “rationalism”, which embodied itself in many masterful works of different historical ages or presented its effects on such aesthetic standards as “imitation” and “ideal” in history. As the result, it will be exhibited clearly the historical evolution of this idea and its relationship with the development of western art and culture.
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Author Information
  • School of Fine Arts, Sichuan University of Science and Engineering, Zigong, China

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