| Peer-Reviewed

Parodical Study of Literary Criticism in Vladimir Nabokov’s Pale Fire

Received: 11 January 2017    Accepted: 9 March 2017    Published: 18 May 2017
Views:       Downloads:
Abstract

In Pale Fire, Nabokov employ parody to constructs a world where truth intertwines with falsehood, leaving a labyrinth for his readers to read between and beyond lines and to make their own decision on the authenticity of the lines. Being the most distinct characteristic, parody in Pale Fire is much more than merely an experimental innovation on form itself: it brings uncertainty for the content of the story by breaking away from old traditions of writing techniques, as well as unveils the writer’s reflection of both literature and life, which together displays the writer’s deep humanistic concern.

Published in International Journal of Literature and Arts (Volume 5, Issue 2)
DOI 10.11648/j.ijla.20170502.12
Page(s) 13-18
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Parody, Literary Criticism, Vladimir Nabokov, Pale Fire

References
[1] Morton, D. E. Vladimir Nabokov [M]. New York: Frederick Ungar Publishing, 1974. P. 11.
[2] Rolo, C. A review of Lolita. The Atlantic Monthly [J]. 1958, 202(3): 72-78.
[3] Boyd, Brain. Nabokov’s Pale Fire: The Magic of Artistic Discovery [M]. Princeton: Princeton University Press, 1999. 2005. P. 456.
[4] McCarthy, Mary. “A Bolt from the Blue” [J]. New York: The New Republic, 1962, 11(3): 21-27
[5] Nabokov, Vladimir. Pale Fire [M]. London: Vintage, 1989.
[6] Hutcheon, Linda. The Politics of Postmodernism [M]. London: Routledge, 1988. P. 94.
[7] Nabokov, Vladimir. Strong Opinions [M]. New York: McGraw-Hill, 1973. P. 89.
[8] Nabokov, Vladimir. Lectures on Literature [M]. New York: Mariner Books, 1982. P. 381.
[9] Santag, S. (1992). Against interpretation [M]. London: Edward Arnold, 1992. P. 55.
[10] Proffer, C. R. The Double Life of Vladimir Nabokov [M]. Washington, D.C.: U.S. International Communication Agency, 1982. P. 51.
[11] Boyd, Brain. Nabokov and Ada (Ph.D. thesis, University of Toronto) 1979. P. 605.
Cite This Article
  • APA Style

    Juan Wu, Yi Chen. (2017). Parodical Study of Literary Criticism in Vladimir Nabokov’s Pale Fire. International Journal of Literature and Arts, 5(2), 13-18. https://doi.org/10.11648/j.ijla.20170502.12

    Copy | Download

    ACS Style

    Juan Wu; Yi Chen. Parodical Study of Literary Criticism in Vladimir Nabokov’s Pale Fire. Int. J. Lit. Arts 2017, 5(2), 13-18. doi: 10.11648/j.ijla.20170502.12

    Copy | Download

    AMA Style

    Juan Wu, Yi Chen. Parodical Study of Literary Criticism in Vladimir Nabokov’s Pale Fire. Int J Lit Arts. 2017;5(2):13-18. doi: 10.11648/j.ijla.20170502.12

    Copy | Download

  • @article{10.11648/j.ijla.20170502.12,
      author = {Juan Wu and Yi Chen},
      title = {Parodical Study of Literary Criticism in Vladimir Nabokov’s Pale Fire},
      journal = {International Journal of Literature and Arts},
      volume = {5},
      number = {2},
      pages = {13-18},
      doi = {10.11648/j.ijla.20170502.12},
      url = {https://doi.org/10.11648/j.ijla.20170502.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20170502.12},
      abstract = {In Pale Fire, Nabokov employ parody to constructs a world where truth intertwines with falsehood, leaving a labyrinth for his readers to read between and beyond lines and to make their own decision on the authenticity of the lines. Being the most distinct characteristic, parody in Pale Fire is much more than merely an experimental innovation on form itself: it brings uncertainty for the content of the story by breaking away from old traditions of writing techniques, as well as unveils the writer’s reflection of both literature and life, which together displays the writer’s deep humanistic concern.},
     year = {2017}
    }
    

    Copy | Download

  • TY  - JOUR
    T1  - Parodical Study of Literary Criticism in Vladimir Nabokov’s Pale Fire
    AU  - Juan Wu
    AU  - Yi Chen
    Y1  - 2017/05/18
    PY  - 2017
    N1  - https://doi.org/10.11648/j.ijla.20170502.12
    DO  - 10.11648/j.ijla.20170502.12
    T2  - International Journal of Literature and Arts
    JF  - International Journal of Literature and Arts
    JO  - International Journal of Literature and Arts
    SP  - 13
    EP  - 18
    PB  - Science Publishing Group
    SN  - 2331-057X
    UR  - https://doi.org/10.11648/j.ijla.20170502.12
    AB  - In Pale Fire, Nabokov employ parody to constructs a world where truth intertwines with falsehood, leaving a labyrinth for his readers to read between and beyond lines and to make their own decision on the authenticity of the lines. Being the most distinct characteristic, parody in Pale Fire is much more than merely an experimental innovation on form itself: it brings uncertainty for the content of the story by breaking away from old traditions of writing techniques, as well as unveils the writer’s reflection of both literature and life, which together displays the writer’s deep humanistic concern.
    VL  - 5
    IS  - 2
    ER  - 

    Copy | Download

Author Information
  • Department of English, School of Foreign Language, Beijing Institute of Technology, Beijing, China

  • Department of English, School of Foreign Language, Peking University, Beijing, China

  • Sections