Nikolay Stoykov - Suite of Three Songs Based on Folk Melodies with an Accompaniment of Percussion Instruments
International Journal of Literature and Arts
Volume 5, Issue 5-1, October 2017, Pages: 7-20
Received: Jul. 27, 2017;
Accepted: Jul. 31, 2017;
Published: Aug. 21, 2017
Views 3148 Downloads 105
Krasimira Fileva, Faculty of Musical Education, Department of Piano and Accordion, Academy of Music, Dance and Fine Arts, Plovdiv, Bulgaria
The subject of the article is "Suite of Three Songs" by Nikolay Stoykov. The three parts of the suite cycle are created on the basis of Bulgarian folk songs, distinguished by bright, memorable intonations and non-traditional structure. The folk songs are not similar, but differ significantly one from the other in terms of character and structure of the melody. This, as well as the fact that the work was created in a relatively early period of the artistic development of the composer, i.e. in that period he is more unprejudiced, more immediately and intuitively experiencing the influence of the folklore primary source, the professional experience is already available, but it still has not taken hold over the tonal artist with its analytical-rational influence; makes the suite cycle especially appropriate to examine the path from the emotional response, which the folk song produces, to the new, author's work. In the article are analized the specifics of the melodies in the three folk chants and the musical-expressive means, used by Nikolay Stoykov in constructing the suite cycle.
Nikolay Stoykov - Suite of Three Songs Based on Folk Melodies with an Accompaniment of Percussion Instruments, International Journal of Literature and Arts. Special Issue: Music and Dance.
Vol. 5, No. 5-1,
2017, pp. 7-20.
Copyright © 2017 Authors retain the copyright of this article.
This article is an open access article distributed under the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/
) which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Bershadskaya, T. Lectures in Harmony. Leningard, 1978. (Бершадская, Т. Лекции по гармонии. Ленинград, 1978)
Bonfeld, Introduction to Music Studies Moscow, 2001. (Бонфельд, Введение в музыкознание. Москва, 2001)
Fileva, Kr. Folk Music in the Chamber Works of Nikolay Stoykov. Plovdiv, 2016. (Филева, Кр. Народна музика в камерното творчество на Николай Стойков. Пловдив, 2016)
Fileva, Kr. The Educational Aspect in "Smarfiolcheta" by Nikolay Stoykov. Journal: Yearbook of the Academy of Music, Dance and Fine Arts, 2016, p. 32 – 50. (Филева, Кр. Обучаващият аспект в "Смърфиолчета" от Николай Стойков. В: Годишник на АМТИИ, Пловдив, 2016, с. 32 - 50)
Fileva, Kr. and P. Mincheva. Harmony for Beginners. Plovdiv, 2016. (Филева, Кр. и П. Минчева. Хармония за начинаещи. Пловдив, 2016)
Holopov, Y. Harmony, Theoretical Course. Moscow, 1988. (Холопов, Ю. Гармония, теоретический курс. Москва, 1988)
Mincheva, P. and Kr. Fileva. Basic Theory of Music. Plovdiv, 2000. (Минчева, П. и Кр. Филева. Елементарна теория на музиката. Пловдив, 2000)
Stoyanov, P. Aspects of style in music. (Стоянов, П. Аспекти на стила в музиката. София, 2010)
Stoyanov, P. Harmony. Veliko Tarnovo, 2010. (Стоянов, П. Хармония. Велико Търново, 2010)
Stoyanov, P. Introduction in Music Theory. Veliko Tarnovo, 2001. (Стоянов, П. Въведение в теория на музиката. Велико Търново, 2001)
Stoykov, Nikolay Ivanov. Nikolay Stoykov's Vision about the Composer and the Universe. International Journal of Literature and Arts. Special Issue: Musical Theory, Psychology, Pedagogy and Performing. Vol. 3, No. 5-1, 2015, pp. 43-49
Stoykov, N. and V. Spasova - comps. Songs for folk choir with accompaniment by folk orchestra. Sofia, 19896. Stoyanov, P. Aspects of Style in Music. Sofia, 2010. (Стойков, Н. и В. Спасова – съставители. Песни за народен хор със съпровод на народен оркестър. София, 1989)