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The Libertine Carmen, a Female Don Juan

Received: 10 July 2020    Accepted: 4 August 2020    Published: 27 August 2020
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Abstract

For the psychoanalyst André Green, there is a link between the creations of a writer and his life. The creators can be totally unconscious or partially conscious of the material arising from the depth of their unconscious. My goal is to show that creations like dreams are a royal path to reveal unconscious. I will try to show it with Mérimée‘s short story and then with the Bizet’s opera. Mérimée’s Carmen was inspired during a travel in Spain by a news item from the Countess of Montijo and a gypsy met in a cabaret near Valencia. Mérimée is a bachelor, a libertine. He falls in love with a beautiful, brown-haired, sensual, married woman, Valentine Delessert. After a passion-love of four years she breaks for another lover. The short story was written five years later, a mourning work. His Carmen is a gypsy who steels and lies, a non-moral prostitute, a narcissistic pervert. The Carmen of Bizet and his librettists is a mythic character created for the Comic opera in Paris, a seductress and a manipulator. Don José’s passion will lead him to a love crime. Bizet in his twenties has been a seducer, rejected by Celeste Mogador. Celestine Galli-Marié will sing his Carmen. She seduces him and rejects him just before the first performance of Carmen. Bizet died a few weeks later, a drama on stage and in life. A writer or a composer don’t choose the subject of a novel or an opera by chance. The success of the opera Carmen is related to the capacity of the creators to give life and emotion to their characters. Carmen’s destiny expresses Mérimée and Bizet’s death wishes and those of men seduced and abandoned by such a woman.

Published in American Journal of Psychiatry and Neuroscience (Volume 8, Issue 3)
DOI 10.11648/j.ajpn.20200803.13
Page(s) 55-59
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Hypersexuality, Narcissistic Perversion, Death Wishes, Creation

References
[1] BRAUNSWEIG Denise & FAIN Michel, Eros and Anteros, Petite Bibliothèque, Payot, 1971.
[2] DAVID Christian, The love state, Petite Bibliothèque, Payot, 1971.
[3] EIGUER Alberto, Psychoanalysis of the libertine, Dunod, 2010.
[4] EIGUER Alberto, The narcissistic pervert and his accomplice, Dunod, 2012.
[5] LACOMBE Hervé, Georges Bizet, Fayard, 2000.
[6] LACOUTURE Jean, Carmen, Seuil, 2011.
[7] LUCRECE André, The devil’s body in the service of the civilization, Love, Revue Française de Psychanalyse, 1996, 3.
[8] MERIMEE Prosper, Carmen, Livre de poche classique, 1996.
[9] PELISSIER Pierre, Prosper Merimée, Tallandier, 2009.
[10] RANK Otto, Don Juan the Double, Psychoanalytic studies, Petite Bibliothèque Payot, 1973.
[11] MORIN Michelle, Creation in art and literature, Psychoanalytic studies, L’Harmattan, 2017.
[12] ROUSSILLON René, Don Juan, Freud and the stone man, CRPPC, 2013.
[13] ROY Jean, Bizet, Solfèges, Seuil, 1983.
[14] TREMINE Thierry, Don Juan or the magnifying Self, in Don Juan or the fugue of the seduction, Arles, Actes Sud, 2000.
[15] WINTER Jean-Pierre, The disturbing strangeness of the marrane Don Juan, Pardès, 2013.
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  • APA Style

    Michelle Morin-Bompart. (2020). The Libertine Carmen, a Female Don Juan. American Journal of Psychiatry and Neuroscience, 8(3), 55-59. https://doi.org/10.11648/j.ajpn.20200803.13

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    ACS Style

    Michelle Morin-Bompart. The Libertine Carmen, a Female Don Juan. Am. J. Psychiatry Neurosci. 2020, 8(3), 55-59. doi: 10.11648/j.ajpn.20200803.13

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    AMA Style

    Michelle Morin-Bompart. The Libertine Carmen, a Female Don Juan. Am J Psychiatry Neurosci. 2020;8(3):55-59. doi: 10.11648/j.ajpn.20200803.13

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  • @article{10.11648/j.ajpn.20200803.13,
      author = {Michelle Morin-Bompart},
      title = {The Libertine Carmen, a Female Don Juan},
      journal = {American Journal of Psychiatry and Neuroscience},
      volume = {8},
      number = {3},
      pages = {55-59},
      doi = {10.11648/j.ajpn.20200803.13},
      url = {https://doi.org/10.11648/j.ajpn.20200803.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajpn.20200803.13},
      abstract = {For the psychoanalyst André Green, there is a link between the creations of a writer and his life. The creators can be totally unconscious or partially conscious of the material arising from the depth of their unconscious. My goal is to show that creations like dreams are a royal path to reveal unconscious. I will try to show it with Mérimée‘s short story and then with the Bizet’s opera. Mérimée’s Carmen was inspired during a travel in Spain by a news item from the Countess of Montijo and a gypsy met in a cabaret near Valencia. Mérimée is a bachelor, a libertine. He falls in love with a beautiful, brown-haired, sensual, married woman, Valentine Delessert. After a passion-love of four years she breaks for another lover. The short story was written five years later, a mourning work. His Carmen is a gypsy who steels and lies, a non-moral prostitute, a narcissistic pervert. The Carmen of Bizet and his librettists is a mythic character created for the Comic opera in Paris, a seductress and a manipulator. Don José’s passion will lead him to a love crime. Bizet in his twenties has been a seducer, rejected by Celeste Mogador. Celestine Galli-Marié will sing his Carmen. She seduces him and rejects him just before the first performance of Carmen. Bizet died a few weeks later, a drama on stage and in life. A writer or a composer don’t choose the subject of a novel or an opera by chance. The success of the opera Carmen is related to the capacity of the creators to give life and emotion to their characters. Carmen’s destiny expresses Mérimée and Bizet’s death wishes and those of men seduced and abandoned by such a woman.},
     year = {2020}
    }
    

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Author Information
  • Department of Psychiatry, Montsouris Mutualist Institute, University of Paris V, Paris, France

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