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Architectural Revivalism: The Progressive Design Approach in Hausa Communities

Received: 11 July 2021    Accepted: 8 October 2021    Published: 24 December 2021
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Abstract

Generally, all architecture can be attractive with pleasant outlook, it is exciting when inspired grandeur, and logically defined when form and details are organized. Some architecture politely invites sense of place as well intellectually reflecting its historical origin. However, revivalism in contemporary architecture evolved as reaction against the ill actions of modernism. Revivalism has a special value and cultural significances in the fields of architectural aesthetic. Subsequently, it is acknowledged in the architectural theory that revivalist style recounts about the previous culture and in its unique architectural style among the multiple design models expresses social, natural and cultural phenomena. The style has the power to regenerate the folks-belief, local physical value, cultural significances, as well as regional and national identity. This research aims to discuss traditional architectural revivalism as an approach to regional progressive architectural design concept. The study based its scope within Hausa communities of Northern Nigeria, and will describe several of revivalist architectural models as progressive design approach. The paper will further explore the significances of architectural revivalism within the realm of Hausa traditional architecture. As such, the research suggested that the revivalist design approach creates a suitable base for regional architectural symbol as well as cultural identity and design continuity. The design models create no constraint to the architectural settings of the northern region in Nigeria.

Published in International Journal of Architecture, Arts and Applications (Volume 7, Issue 4)
DOI 10.11648/j.ijaaa.20210704.16
Page(s) 143-149
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Hausa, Revival Design, Traditional Architecture, Cultural Value

References
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[2] Aliyu, M. (2015). Built Environment in Transition: The significances of postmodern Residential Designs in Cultural Sustainability. International Journal of Architecture, Arts and Applications Vol 1. Issue 2-2015, PP. 30-40, Science Publishing Group.
[3] Aliyu, M. & Ahmed J. A. (2019). Questioning the Neo-Classical Residential Buildings of Kano Metropolitan City Within the Context of Hausa Traditional Architecture. Journal of Advanced Research in Construction and Urban Architecture, Volume 4, Issue 3 - 2019, PP. No. 38-47, ADR Publications.
[4] Aliyu M. D., Bilkisu T. M., Ahmed O. I., Fatima B. C. et al. (2020). Examination of Hausa Cultural Identity in Architectural Design- Palarch’s Journal of Archaeology of Egypt/Egyptology 17 (9).
[5] Carpo, M. (2007). The Postmodern Cult of Monuments, Future Anterior 4 (2) pp 50-60.
[6] Denyer, S. (1978). African Traditional Architecture: An Historical and Geographical Perspective. New York: African Publishing Company.
[7] Dmochowski, Z. R. (1990). An Introduction to Nigerian Traditional Architecture: Northern Nigeria. Vol. 1. USA: Ethnographica.
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[9] Elša T. (2011). Neo-vernacular Architecture – Contribution to the Research on Revival of Vernacular Heritage Through Modern Architectural Design. Conference Paper. Importance of Place: 4th International Conference on Hazards and Modern Heritage. Sarajevo. January 2011.
[10] Eman E. N, & Aleya A. H, (2017). Place Identity/Place Making in The Built Environment—Towards A Methodological Perspective, Proceedings of the 1st International Conference on Cities’ Identity Through Architecture & Arts, Cairo, Egypt, 11–13 May 2017, Routledge, Taylor & Francis Group, London, Uk.
[11] Firzal, Y. (2016). Culture & Architecture: A Socio-Cultural Identity of Place. Indonesia. Badan Penerbit Universitas Riau UR Press.
[12] Gali K. U., Danjuma A. Y., Abubakar A., & Abdullahi M. U. (2019). The Practice of Hausa Traditional Architecture: Towards Conservation and Restoration of Spatial Morphology and Techniques, Journal of Scientific African 5 (2019) e00142. Science Direct.
[13] Jakle, J A. (1983). Twentieth Century Revival Architecture and the Gentry, Journal of Cultural Geography, 4 (1), pp 28-43.
[14] Jenck C. (1991). The Language of Postmodern Architecture: Academy Edition. London: Great Britain.
[15] Kheng T. S. (1983). Cultural Identity in Architecture as Perceived from a Singapore Viewpoint, Case Study 3, Regional Seminar on the Search for Identity in Architecture, - Singapore.
[16] Nguyen, H. M. (2007). “Cultural Sustainability in the Architectural Development of Viet Nam.” International Conference on Sustainable Architectural Design and Urban Planning, Hanoi Architectural University, Hanoi, Vietnam, May 15–16.
[17] Nooraddin, H. (2012). Architectural Identity in an Era of Change. Developing Country Studies, 2 (10), 2012.
[18] Oluwagbemiga P. A, & Modi S. Z. (2014). Development of Traditional Architecture in Nigeria: A Case Study of Hausa House Form. International Journal of African Society Cultures and Traditions 1 (1). 61-74.
[19] Osasona, C. O. (2002). “The Symbolic Value of Space and Material in Nigerian Traditional Houseforms.” Journal of Environmental Technology 1 (2). FUTA, Akure.
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  • APA Style

    Mohammed Aliyu, Hussaini Haruna. (2021). Architectural Revivalism: The Progressive Design Approach in Hausa Communities. International Journal of Architecture, Arts and Applications, 7(4), 143-149. https://doi.org/10.11648/j.ijaaa.20210704.16

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    ACS Style

    Mohammed Aliyu; Hussaini Haruna. Architectural Revivalism: The Progressive Design Approach in Hausa Communities. Int. J. Archit. Arts Appl. 2021, 7(4), 143-149. doi: 10.11648/j.ijaaa.20210704.16

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    AMA Style

    Mohammed Aliyu, Hussaini Haruna. Architectural Revivalism: The Progressive Design Approach in Hausa Communities. Int J Archit Arts Appl. 2021;7(4):143-149. doi: 10.11648/j.ijaaa.20210704.16

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  • @article{10.11648/j.ijaaa.20210704.16,
      author = {Mohammed Aliyu and Hussaini Haruna},
      title = {Architectural Revivalism: The Progressive Design Approach in Hausa Communities},
      journal = {International Journal of Architecture, Arts and Applications},
      volume = {7},
      number = {4},
      pages = {143-149},
      doi = {10.11648/j.ijaaa.20210704.16},
      url = {https://doi.org/10.11648/j.ijaaa.20210704.16},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20210704.16},
      abstract = {Generally, all architecture can be attractive with pleasant outlook, it is exciting when inspired grandeur, and logically defined when form and details are organized. Some architecture politely invites sense of place as well intellectually reflecting its historical origin. However, revivalism in contemporary architecture evolved as reaction against the ill actions of modernism. Revivalism has a special value and cultural significances in the fields of architectural aesthetic. Subsequently, it is acknowledged in the architectural theory that revivalist style recounts about the previous culture and in its unique architectural style among the multiple design models expresses social, natural and cultural phenomena. The style has the power to regenerate the folks-belief, local physical value, cultural significances, as well as regional and national identity. This research aims to discuss traditional architectural revivalism as an approach to regional progressive architectural design concept. The study based its scope within Hausa communities of Northern Nigeria, and will describe several of revivalist architectural models as progressive design approach. The paper will further explore the significances of architectural revivalism within the realm of Hausa traditional architecture. As such, the research suggested that the revivalist design approach creates a suitable base for regional architectural symbol as well as cultural identity and design continuity. The design models create no constraint to the architectural settings of the northern region in Nigeria.},
     year = {2021}
    }
    

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    T2  - International Journal of Architecture, Arts and Applications
    JF  - International Journal of Architecture, Arts and Applications
    JO  - International Journal of Architecture, Arts and Applications
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    AB  - Generally, all architecture can be attractive with pleasant outlook, it is exciting when inspired grandeur, and logically defined when form and details are organized. Some architecture politely invites sense of place as well intellectually reflecting its historical origin. However, revivalism in contemporary architecture evolved as reaction against the ill actions of modernism. Revivalism has a special value and cultural significances in the fields of architectural aesthetic. Subsequently, it is acknowledged in the architectural theory that revivalist style recounts about the previous culture and in its unique architectural style among the multiple design models expresses social, natural and cultural phenomena. The style has the power to regenerate the folks-belief, local physical value, cultural significances, as well as regional and national identity. This research aims to discuss traditional architectural revivalism as an approach to regional progressive architectural design concept. The study based its scope within Hausa communities of Northern Nigeria, and will describe several of revivalist architectural models as progressive design approach. The paper will further explore the significances of architectural revivalism within the realm of Hausa traditional architecture. As such, the research suggested that the revivalist design approach creates a suitable base for regional architectural symbol as well as cultural identity and design continuity. The design models create no constraint to the architectural settings of the northern region in Nigeria.
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Author Information
  • Department of Architecture, Federal Polytechnic, Mubi, Nigeria

  • Department of Architecture, Federal Polytechnic, Mubi, Nigeria

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